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White marble relief depicting Mithras as bull-slayer in a grotto from the Froehner collection, now in the Cabinet des Médailles, Paris.
Currently in the Musei Vaticani, this Tauroctony includes Mithras’s birth restored as Venus anaduomene.
Terracotta krater from the southern part of the Friedberg Mithraeum, discovered in 1849. The vessel is decorated in relief with serpents, a scorpion and a ladder-like motif.
Roman relief from a sanctuary on the Janiculum Hill (Rome), showing a male figure bound by a serpent coiled seven times.
This tauroctony may have come from Hermopolis and its style suggests a Thraco-Danubian origin.
Sandstone relief of Mithras as bull-slayer, found at Petronell in 1932, with dog, serpent and scorpion, traces of polychromy preserved, now in the Museum Carnuntinum.
Fragmentary relief corner depicting Mithras as bull-slayer, preserving the bull’s hindquarters, scorpion, serpent and part of a torchbearer, with a partial inscription.
Conglomerate statue of the birth of Mithras, found in a burnt layer, showing the god nude emerging from the rock with raised hands and a snake.
The Mithraic vase from Ballplatz in Mainz depicts seven figures arranged in two narrative sequences, commonly interpreted in relation to initiation rites.
This fragmentary relief depicts Mithras killing the bull in the usual manner, remarkably dressed in oriental attire.
This tauroctony relief is distinguished by the rare depiction of Tellus reclining beneath the bull.
The image of Mithras killing the bull, found near Walbrook, is surrounded by a Zoadiac circle.
Rich relief on display at the Virginia Museum of Fine Art showing Mithras sacrificing the bull accompanied by Cautes and Cautopates.
New evidence for the cult of Mithras and the religious practices of Legio IV Scythica at the Roman frontier city of Zeugma on the Euphrates.
White marble statue of Lion-head god of time, formerly in the Villa Albani, nowadays in the Musei Vaticani.
The Aion / Phanes relief, currently on display in the Gallerie Estensi, Moneda, is associated with two Eastern mysteric religions: Mithraism and Orphism.
The marble Aion from the lost Mithraeum Fagan, Ostia, now presides the entrance to the Vatican Library.
The person who commanded the sculpture may have been M. Umbilius Criton, documented in the Mitreo della Planta Pedis.
This sculpture of Mithras killing the bull was dedicated to the ’incomprehensible god’ by a certain priest called Gaius Valerius Heracles.