White marble statue of Mithras killing the sacred bull preserved in the Museo Nacional Romano.
Partial relief of a Giant with snake-feet found in the Mithraeum of Santa Prisca.
This lamp, depicting a man slicing his victim into pieces with a sword, was believed to be associated with the Cult of Mithras.
The lion-headed figure from Rusicade, now Skikda, holds a key in both hands and features a pine cone beside his feet.
Marble statue of Cautes, found at Ostia. The head, one arm and the legs are missing. The figure wears a short tunic and raises the torch in the canonical upward gesture.
Small triangular slab bearing a Latin inscription referring to Sol Invictus and to a sacred cave, probably dating to the 4th century AD.
Sandstone petrogenesis from Petronell-Carnuntum (Lower Austria), depicting Mithras emerging from the rock, preserved from the knees upwards.
Marble votive altar with inscription to Mithras, featuring coiled, fan-like motifs above the text and associated with the statio Enensis.
Sandstone relief of Mithras killing the bull, broken in two parts and partly restored, with dog, serpent and scorpion preserved; formerly in Vienna, now on loan to the Museum Carnuntinum.
Fragment of limestone from Porêts, which was used in the 4th century.
This second altar discovered to date near Inveresk includes several elements unusual in Mithraic worship.
This altar to Invictus Mythra (sic) was found in 1867 in ancient Maros Portum, now Sighișoara, Romania.
In 1852, Károly Pap, a naval captain, unearthed several Mithraic monuments in his garden at Marospartos, including this altar.
Upon first examination, archaeologists interpreted the inscription on the cult vessel from Gradishje as referencing Mithras, though it has since been re-evaluated.
The Mithraeum of Santa Maria Capua Vetere includes a marble relief depicting a child Eros guiding Psyche through the dark.
A naked Mithra emerges from the cosmic egg surrounded by the zodiac, as always carrying a torch and a dagger.
This remarkable double-sided relief depicts the myth of Mithras and the Tauroctony on one side, and a scene of Mithras the hunter and the banquet of Mithras and the Sol on the other.
The importance of the Mithraeum of Marino lies in its frescoes, the most significant of which is that of Mithras slaying the bull, surrounded by mythological scenes.
This marble slab bears an inception be the Pater Proficentius to whom Mithras has suggested to build and devote a temple.
The epigrahy includes a mention of Marcus Aurelius, a priest of the god Sol Mithras, who bestowed joy and pleasure on his students.
