Monuments in Latium: TNMdB

The marble shows Mithras slaying the bull, on one side, and Sol and Mithras feasting on a bull skin, on the other.

Relief of bluish marble in the Casino of the Villa Doria Pamphili showing Mithras slaying the bull with the usual animals, cross-legged torchbearers, and Sol in a quadriga and Luna in a biga in the upper corners.

Marble leontocephalic Aion/Arimanus from the now-lost Fagan Mithraeum at Ostia, dedicated in AD 190 by three members of the local Mithraic priesthood.

This monument records the transmission of the patrica and the presentation of the cryfii, ritual acts associated with Mithraic initiation.

One of the earliest securely dated Mithraic inscriptions, documenting the cult’s early presence within the imperial household.

The Mithraeum near the Circus Maximus was discovered in 1931 during work carried out to create a storage area for the scenes and costumes of the Opera House within the Museums of Rome building.

The sculpture of Mithras slaying the bull was transported from Rome to London by Charles Standish in 1815.

Large marble slab found in 1648 near S. Silvestro in Capite, inscribed with a Latin dedicatory poem forming a cypher-acrostic for TAMESIUS and AUGENTIUS, with records of leontica and chrysos initiations, dated to 362 A.D.

Inscription recording the transmission of the leontica grade by Nonius Victor Olympius and Aurelius Victor Augentius at the Mithraeum of Piazza S. Silvestro in Capite, dated to 359 and 358 A.D.

Inscription CIL VI 750 recording the transmission of the Persica and Heliaca grades by Nonius Victor Olympius and Aurelius Victor Augentius at the Mithraeum of Piazza S. Silvestro in Capite, dated to 358 A.D.

Small marble relief from the Aventine showing a primitive representation of Mithras slaying the bull, without torchbearers or Sol and Luna.

This sculpture of Mithras killing the bull was dedicated to the “incomprehensible god” by a certain priest called Gaius Valerius Heracles.

The Mithraeum of the Animals was decorated with a mosaic depicting a naked man, a cock, a raven, an scorpion, a snake and the head of the bull.

Small marble base recording a donation to M. Cerellio Hieronymo, pater and sacerdos, on behalf of an antistes who dedicated objects to the god, from the Mitreo degli Animali at Ostia.

The Fagan Mithraeum, also known as the Mithraeum of Tor Boacciana, yielded remarkable sculptures of lion-headed deities, several of which are now preserved in the Vatican Museums.

Small marble base with a dedication by T. Annius Lucullus, sevir and quinquennalis, to Martis Dendrophoris Ostiensium, from the Mitreo degli Animali at Ostia, dated to 143 A.D.

Small marble base dedicated by C. Atilius Bassus, freedman and apparator of a priest of the Great Mother, to Silvanus dendrophoris, from the Mitreo degli Animali at Ostia.

Small marble base dedicated by Sex. Annius Merops, honoured Dendrophoros, to the image of Terrae Matris, from the Mitreo degli Animali at Ostia, dated to 142 A.D.

Marble cap mentioned by Visconti, subsequently identified as certainly belonging to the finds of the Mitreo degli Animali rather than the Mitreo del Palazzo Imperiale, Ostia.

Marble slab with a fragmentary Latin inscription, walled into the right-hand side of the cult-niche in the Mitreo delle Pareti Dipinte at Ostia.