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The relief of Mithras slaying the bull found on the Esquiline Hill includes two additional scenes with Mithras and two other figures.
The importance of the Mithraeum of Marino lies in its frescoes, the most significant of which is that of Mithras slaying the bull, surrounded by mythological scenes.
This scene from the frescoes of the Mitreo di Santa Maria Capua Vetere shows a kneeling, naked man surrounded by two other figures.
Fresco showing a scene of initiation into the mysteries of Mithras in the Mithraeum of Santa Maria Capua Vetere.
This scene of the main fresco of the Mithraeum Barberini seems to depict part of the initiation into the Mithraic Mysteries.
The votive fresco from the Mithraeum Barberini displays several scenes from Mithras’s myth.
This marble relief, found in Sisak, Croatia, shows Mithras killing the bull in a circle of corn ears, gods and some scenes from the Mithras myth.
This Mithraic relief of the Danubian type was found in 1940 in the old town of Plovdiv.
The relief of Mithras slaying the bull at Mauls in Gallia cisalpina is a paradigmatic example of the so-called Rhine-type Tauroctony.
These fragments of a monumental relief of Mithras killing the bull from Koenigshoffen were reassembled and are now on display at the Musée Archéologique de Strasbourg.
Franz Cumont considers the bas relief of Osterburken ’the most remarkable of all the monuments of the cult of Mithras found up to now’.
Several authors read the name Suaemedus instead of Euhemerus as the author of this mithraic relief from Alba Iulia, Romania.