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Marble torso found at Ostia in 1912 between the Decumanus and the Via dei Molini, dedicated to Mithras by a certain Atilius Glycol.
This bronze arm, with stars and a swastika, was once thought to be part of a Mithras statuette but has since been dismissed as unrelated to the Mithras cult.
Relief possibly depicting Mithras-Men holding a torch and a a bust of Luna on a crescent.
Fragment of a white statue depicting a naked god entwined by a serpent with its head on his chest, found in the River Tiber.
Continuation of the frescoes depicting an initiation into the Mithras cult, where two attendants present a repast to Mithras and Sol.
Marble relief, probably found in Rome during the construction of the Palazzo Primoli along the Via Zanardelli.
Partial marble statue of Mithras as a bullkiller found near Viale Latino, about 200 meters from Porta San Giovanni.
White marble relief depicting Mithras killing the bull, found broken in two parts in 1872 near Salita delle Tre Pile in Rome.
On the Aventine, between the Eastern side of S. Saba’s and the Via Salvator, there is a Roman building, which probably was used as a Mithraeum in the end of the 4th century.
This fresco, found in the Santa Capua Vetere Mithraeum, depicts what seems to be an initiate falling forward because someone is pressing down on his shoulders.
The existence of a mithraeum in the "tana del lupo", a natural cave in the castle of Angera, has been assumed since the 19th century, following the discovery of two mithraic inscriptions in the town.
The epigrahy includes a mention of Marcus Aurelius, a priest of the god Sol Mithras, who bestowed joy and pleasure on his students.
The votive fresco from the Mithraeum Barberini displays several scenes from Mithras’s myth.
This marble slab bears an inception be the Pater Proficentius to whom Mithras has suggested to build and devote a temple.
This fragment of a sculpture depicting the birth of Mithras from a rock, intertwined with a chaotic mass of serpent coils, was discovered in Aquileia, Italy.
This unusual bronze bust of Sabazios features multiple symbolic elements, with Mithras depicted in his characteristic pose of slaying the bull, positioned just below Sabazios’ chest.
The Mithraeum of Visentium, near Capodimonte in Viterbo, was carved grotto-style into a tuff cliff overlooking the waters of Lake Bolsena, just a few dozen metres away.
The Mithraeum was inserted into the basement of the basilica-theater by the 3rd century.
