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This scene from the frescoes of the Mitreo di Santa Maria Capua Vetere shows a kneeling, naked man surrounded by two other figures.
This is the first of several fresco scenes depicting the initiation of a new member in a mithraic community, in Capua Vetere.
The Mithraeum was found in one of the rooms of the Horrea built in the years 120 - 125 AD. The installation of the shrine may have taken place in the first half of the third century.
The Mithraeum of Lucretius Menander was installed in the early 3rd century in an alley to the east of a Hadrianic building named after the solar god temple.
The brick altar of the Mithraeum Menander was covered with marble slabs bearing a crescent and an inscription.
The lion-headed god is standing on a globe encicled by two crossed bands on which five pearls.
The Mithraeum in the Chapel of the Three Naves was not linked to the cult of Mithras until recently because of a mosaic showing a pig, in the belief that it was an animal unfit for consumption in a temple of Eastern origin.
The relief marble of Mithras sacrifying the bull, exposed on the Hermitage Museum comes from Rome.
Mithras rock-born from Villa Giustiniani was holding a bunch of grapes in its raised right hand instead of a torch, probably due to a restoration.
This marble basin found in the Mithraeum of the Footprint bears an inscription of a certain Umbilius Criton, associated with a monumental tauroctonic sculpture also found in Ostia.
The Mitreo dei Castra Peregrinorum was discovered under the church of Santo Stefano Rotondo in Rome.
The Felicissimo Mithraeum has a floor mosaic depicting the seven mithraic grades.
This monument was erected on the occasion of the elevation of a member to the Mithraic grade of Perses.
The altar includes a slab with an inscription for the salvation of two emperors.
The floor of the central aisle of the Mithraeum of the Footprint in Ostia has a mosaic depicting a snake and a footprint.
The head of Mithras had seven holes made for fastening rays.
The Mithraeum of the terms of Mithras takes its name from being installed in the service area of the Baths of Mithras.
Marcus Valerius Maximus records in this inscription his knowledge of astrology as well as the name of his wife.
This monument to the invincible god Mithras was inscribed on the façade of the church of Aiello deil Friuli, Aquileia.
The relief of the Mithraic tauroctony of Aquiliea is currently on display in Vienna.
