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The dedicator of this altar was a slave in the service of a high official, the prefect Gaius Antonius Rufus, known from other inscriptions.
This shrine developed towards the end of 2nd century and remained active until beginning 4th.
Votive sculpture of Mithras sacrificing the bull from the Mithraeum of Tarquinia.
The Housesteads Mithraeum is an underground temple, now burried, discovered in 1822 in a slope of the Chapel Hill, outside of the Roman Fort at the Hadrian's Wall.
The two companions of Mithras carry a torch and a shepherd's staff at the third Mithraeum in Frankfurt-Heddernheim, formerly Nida.
The relief of Mithras slaying the bull from Nida's Mithraeum III was found in two pieces in 1887, destroyed during an air raid on Frankfurt in 1944, and restored in 1986.
Mithras born from the rock with a snake raising in coils around it.
The sculpture of Mithras slaying the bull was transported from Rome to London by Charles Standish in 1815.
The Mithraeum of Szony has the form of a grotto and the entrance is on the west side.
The 'Mithraic cave' in the Gradische/Gradišče massif near St. Egidio contained vessels decorated with snakes and the remains of chicken bones and other animals that were consumed during Mithraic ceremonies.
This temple of Mithras on the north side of the Capitoline Hill in Rome no longer exists.
Relief of Heracles/Hercules capturing the Golden Hind of Artemis.
Glass paste imprint depicting the Tauroctony surrounded by symbolic figures.
The intarsium of Sol found in the Mithraeum of Santa Prisca is composed of several varieties of marble.
Peter Mark Adams: ‘The initiation was a frightening experience that caused some people to panic as a flood of otherworldly entities swept through the ritual space.’.
Film in German describing the Mithras relief from Dieburg as part of the design and staging of the Mithraeum in Museum Schloss Fechenbach, Dieburg.
Video report of the Italian TV channel La 7 about Mithraism made in the Mithraeum of the Circo Massimo.
The marble Tauroctony of Asciano, Siena, was donated by Franz Cumont to the Academia Belgica, Rome.
Twelve centuries separate the decline of Roman Mithraism from the dawn of Freemasonry. Twelve centuries during which the mysteries of Mithras have remained more secret than ever.
The Mithraeum of the Animals was decorated with a mosaic depicting a naked man, a cock, a raven, an scorpion, a snake and the head of the bull.
