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Conglomerate statue of the birth of Mithras, found in a burnt layer, showing the god nude emerging from the rock with raised hands and a snake.
This fragmentary relief depicts Mithras killing the bull in the usual manner, remarkably dressed in oriental attire.
In polemical passages from the late second and early third centuries, Tertullian portrays the cult of Mithras as a demonic imitation of Christian rites and provides rare early references to Mithraic initiation and ritual symbolism.
Allah'ın arslanı Ali'nin alnındaki zühre yıldızının binlerce yıllık hikayesi.
Rich relief on display at the Virginia Museum of Fine Art showing Mithras sacrificing the bull accompanied by Cautes and Cautopates.
Dion Chrysostom, c. 100 A.D., a philosophical writer under the emperors Nerva and Trajan, composed a series of discourses or essays (λόγοι) on various subjects, in one of which he reports concerning the doctrines and practices of the magi.
White marble statue of Lion-head god of time, formerly in the Villa Albani, nowadays in the Musei Vaticani.
Nouveau video de Mysteria dédié au culte de Mithra à partir de l'exposition Le mystère de Mithra au Musée Saint Raymond.
Several iron fragments found in the second mithraeum of Güglingen may have been used during mithraic ceremonies.
The Aion / Phanes relief, currently on display in the Gallerie Estensi, Moneda, is associated with two Eastern mysteric religions: Mithraism and Orphism.
The Cilician pirates incorporated significant divine feminine elements, notably Anahita, into their Mithraic practices, profoundly influencing the initiation rites within the Roman Empire.
This unusual bronze bust of Sabazios features multiple symbolic elements, with Mithras depicted in his characteristic pose of slaying the bull, positioned just below Sabazios’ chest.
The Mithraeum of Visentium, near Capodimonte in Viterbo, was carved grotto-style into a tuff cliff overlooking the waters of Lake Bolsena, just a few dozen metres away.
These fragments of a monumental relief of Mithras killing the bull from Koenigshoffen were reassembled and are now on display at the Musée Archéologique de Strasbourg.
This fragmentary scupture of Mithras killing the bull belongs to the Getty Museum, Los Angeles, USA.
Over the last century or so, a great deal has been said about the god Mithras and his mysteries, which became known to the European world mainly through his Roman cultus during the Imperial Period.
This sculpture of Mithras killing the bull, which belongs to the Louvre Museum, is currently on display in Varsovia.
On one of the capitals of the cathedral of Santa Maria Nuova in Monreale, Sicily, an unusual turbaned bull-slaying Mithras has been recorded.
This heliotrope gem, depicting Mithras slaying the bull, dates from the 2nd-3rd century, but was reused as an amulet in the 13th century.
Translation and Introductory Essay by Robert Lamberton. Station Hill Press Barrytown, New York 1983.
