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The Aion / Phanes relief, currently on display in the Gallerie Estensi, Moneda, is associated with two Eastern mysteric religions: Mithraism and Orphism.
The Cilician pirates incorporated significant divine feminine elements, notably Anahita, into their Mithraic practices, profoundly influencing the initiation rites within the Roman Empire.
The name of this domus comes from the fact that some authors once associated one of its mosaics with the cult of Mithras, a connection that has since been dismissed.
Although the site at Cerro de San Albín is not a Mithraeum, archaeologists have found several monuments related to the cult of Mithras.
The person who commanded the sculpture may have been M. Umbilius Criton, documented in the Mitreo della Planta Pedis.
The frescoes depict several figures dressed in different garments associated with the Mithraic degrees.
Fresco showing a scene of initiation into the mysteries of Mithras in the Mithraeum of Santa Maria Capua Vetere.
Roman stone low-relief depicting Mithras as a bull-slayer, with the upper part of his head missing.
The vault of the Mithraeum in S. Capua Vetere is decorated with stars that have holes in their centers, which once held colorful glass decorations.
Jaime Alvar speculates that the Gran Mitreo de Mérida could have been located in this area, based on a series of materials unearthed by Mélida during the excavations of 1926 and 1927.
The Mithraeum at Espronceda Street, in Merida, was discovered in 2000. It is a semi-subterranean temple.
The Mithraeum of Saara, Syria, has been identified through the deciphering of the remains of the iconographic programme on its arch.
The Niasar Cave, غار نیاسر, was a temple probably devoted to Iranian Mithras that dates back to the early Partian era.
Fresco of Mithras found in an arched niche above the right bench of the Baths of Caracalla’s Mithraeum in Rome.
This marble relief depicting Mithras killing the bull, found at Porto d’Anzio in 1699 and now lost, is known from a engraving by del Torre.