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Dedication from Simitthus mentioning the restoration of a monument and a vow fulfilled to Cautes and Cautopates during the reign of Caracalla and Julia Maesa.
Saul cutting the oxen to pieces poses as Mithras Tauroctonos in this painting, which adorns the mantelpiece of Henry II’s bedroom at the Château d’Écouen near Paris.
The Mithraeum of Serdica was found in the fortified area of the ancient city of Serdica, now Sofia, Bulgaria.
This monument has been identified from ’Memorie di varie antichità trovate in diversi luoghi della città di Roma’, a book by Flaminio Vacca of 1594.
Callimorphus dedicated this image of the sun god to the invincible sun ’Mythra’.
Passage from Plutarch’s Life of Pompey, recounting the rise, power, and insolence of the Cilician pirates before Pompey’s campaign to suppress them.
This inscription, which doesn’t mention Mithras, was found near the church of Santa Balbina on the Aventine in Rome.
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New evidence for the cult of Mithras and the religious practices of Legio IV Scythica at the Roman frontier city of Zeugma on the Euphrates.
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Of Isis and Osiris or Of the Ancient Religion and Philosophy of Egypt, Plutarch, The Moralia.
Dion Chrysostom, c. 100 A.D., a philosophical writer under the emperors Nerva and Trajan, composed a series of discourses or essays (λόγοι) on various subjects, in one of which he reports concerning the doctrines and practices of the magi.
The scholiast Lactantius Placidus comments on Statius’ passage identifying the Sun as Titan, Osiris, and Mithras, interpreting the Persian cave figure with the bull.
Two excerpts from the ’Life of Commodus’ in Lampridius’ Historia Augusta, dating from the 4th century CE.
Pseudo-Plutarch, De fluviis. Goodwin, Ed. Plutarch. Plutarch’s Morals. Translated from the Greek by several hands. Corrected and revised by. William W. Goodwin, PH. D. Boston. Little, Brown, and Company. Cambridge. Press of John Wilson and son.
Pseudo-Plutarch, De fluviis. Goodwin, Ed. Plutarch. Plutarch’s Morals. Translated from the Greek by several hands. Corrected and revised by. William W. Goodwin, PH. D. Boston. Little, Brown, and Company. Cambridge. Press of John Wilson and son.
The Cilician pirates incorporated significant divine feminine elements, notably Anahita, into their Mithraic practices, profoundly influencing the initiation rites within the Roman Empire.
The name of this domus comes from the fact that some authors once associated one of its mosaics with the cult of Mithras, a connection that has since been dismissed.
This scene of a feast from Mérida shows three persons at a table with other people standing beside them, one holding a bull’s head on a plate.
This inscription commemorates the building of a mithraeum in Bremenium with fellow worshippers of Mithras.
