Your search Castellammare di Stabia gave 1970 results.
There is no solid evidences of the finding of a Mithraic temple in Duhok, Iraq.
The exploration of an old pazo, a manor house, near the Roman wall, in Lugo, led to the discovery of a Roman domus, which existed continuously from the beginnings of the Christian Era until the Late Empire.
Relief possibly depicting Mithras-Men holding a torch and a a bust of Luna on a crescent.
This terra sigillata was found in 1926 in a grave on the Roman cemetery of St. Matthias, Trier. An eyelet indicates that it could have been hung on a wall.
On the Aventine, between the Eastern side of S. Saba’s and the Via Salvator, there is a Roman building, which probably was used as a Mithraeum in the end of the 4th century.
Inscription from Hamadan where the ’great king’ Artaxerxes mentions Ahuramazda, Anahita, and Mithra as guardians.
This sculpture of Cautes holding a bull’s head was found in 1882 in Sarmizegetusa, Romania.
This fragment of a sculpture depicting the birth of Mithras from a rock, intertwined with a chaotic mass of serpent coils, was discovered in Aquileia, Italy.
The base of the column bears an inscription that records the rebuilding of a palace at Ectabana ’by the favour of Ahuramaza, Anahita and Mithra’.
The Mithraeum was inserted into the basement of the basilica-theater by the 3rd century.
"The remaining figure on this monument, Herakles, was previously misidentified as Apollo on this remarkable black basalt tablet from Samsat, known in Roman times as Samosata.
This dedicatory inscription by Aurelius Seleucus, found in Cilicia, aligns with Plutarch’s account of Cilician pirates performing foreign sacrifices and secret rites of Mithras.
The Mühltal Mithraic crater was discovered among the artefacts of a mithraeum found in Pfaffenhoffen am Inn, Bavaria.
The Mithraeum of Marino presents an unusually elongated structure with depictions from the Severian period.
These fragments of a monumental relief of Mithras killing the bull from Koenigshoffen were reassembled and are now on display at the Musée Archéologique de Strasbourg.
The importance of the Mithraeum of Marino lies in its frescoes, the most significant of which is that of Mithras slaying the bull, surrounded by mythological scenes.
Tracing the links between the cult of Mithras and the Proud Boys’ quest for identity, power, and belonging. How ancient rituals and brotherhood ideals resurface in radical modern movements.
The Dream of Scipio, the Orphic Gold Plates, and the Mithra Liturgy are compared revealing a common cosmovision predicated on the microcosm.
This remarkable Greek marble relief of Mithras killing the bull was discovered in 1705 and remained in private collections until it was bought by the Louvre.
The Mithraeum of Santa Maria Capua Vetere preserves frescoes depicting several scenes of the initiation rites.
