Your search Farid ud-Din Attar gave 893 results.
Sandstone base from Vetera (Xanten), Germania Inferior, with a relief of Cautes in Oriental dress holding a long burning torch.
Sandstone relief depicting the god Aion, standing with wings, a staff and a key, accompanied by a lion and a serpent-entwined vessel.
Sandstone statue of Cautopates holding two downward-pointing torches, from the Ober-Florstadt Mithraeum.
Fragmentary sandstone relief from Rückingen showing a male figure walking right and holding a kantharos. Traces on the chest may indicate a torques or shoulder-cape.
Marble inscription recording the dedication of a cult image to the unconquered Mithras by a certain pater Valerius Marinus from Rome.
Currently in the Musei Vaticani, this Tauroctony includes Mithras’s birth restored as Venus anaduomene.
In these passages from his hymns and satires, Julian articulates a solar theology in which Helios governs cosmic order and time. Within this framework, Mithras appears as a personal divine guide associated with the ascent of souls.
A series of polemical passages in which a leading fourth-century Christian theologian presents the cult of Mithras as a religion defined by cruelty, bodily suffering, and shameful initiation rites.
Conglomerate statue of the birth of Mithras, found in a burnt layer, showing the god nude emerging from the rock with raised hands and a snake.
Statue of Cautes from Bodobrica, discovered around 1940, depicting the torchbearer standing before a tree or rock and associated with a bucranium.
Emperor Julian may have been initiated into the cult of the god Mithras at the Mithraeum of Vienne, France, according to Turcan.
Small limestone stele, discovered at Apt in 1903. It depicts a standing torchbearer in the conventional Mithraic posture and dress, accompanied by a cock placed at his feet.
An anonymous late-antique Christian poem, traditionally attributed to Pseudo-Paulinus of Nola (Poema 32, vv. 109–111), that ridicules pagan cults and presents Mithras, Isis, and Serapis as gods of concealment, contradiction, and unstable forms rather than light…
Late antique legendary biography of Alexander the Great (c. AD 300), where history, myth, and imperial ideology merge around figures of divine kingship and solar power.
Mithras, also known as Mitra or Mithra depending on the historical period, region, or language, is one of the oldest known Indo-Iranian divinities.
The bronze bears the dedication of a restoration of a Mithraeum carried out in 183.
Standing stone statuette of Cautopates, the downward-torch bearer, found at Bordeaux and kept in the city’s museum of antiquities (musée d’Aquitaine ?).
The image of Mithras killing the bull, found near Walbrook, is surrounded by a Zoadiac circle.
Radcliffe G. Edmonds III analyses the absence of the moon in the Mithras Liturgy. He argues that this absence reflects a deliberate cosmological framework in which lunar powers linked to genesis are excluded from the ritual of ascent.
