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This inscription on white marble by Lucius Gavidius uses the term ther cultores to refer to his Mithraic community in Stabiae, Italy.
Marble group of Mithras slaying the bull, formerly sold by Antiquarium Ltd., New York.
Another sculpture of Mithras rock-birth from the Mithraeum of Victorinus, in Aquincum.
Its base is partially broken, so it is unclear if the figure was standing on a globe, an expected position, or not.
Beheaded Cautopates in limestone found on the podium of the Jajce Mithraeum, Bosnia and Herzegovina.
The relief of Mithras killing the bull from the Jajce Mithraeum is walled into the cult niche and surmounted by a roof.
This relief of Mithras as a bullkiller found at Vratnitsa, near Lisicici in northern Macedonia, was signed by a certain Menander Aphrodisieus.
Bronze fibula from Petronell-Carnuntum, depicting a standing lion-headed Aion.
In the Tauroctony of Hermopolis, Cautes and Cautopates are placed over two columns at each side of the sacrifice.
The archeologists have found three fragments of the Tauroctony of Lucciana, which includes Cautes and Cautopates.
The relief of Mithras being born from the rock of the Esquiline shows the young god naked, as usual, with a torch and a dagger in his hands.
The City of Darkness unique fresco from the Mithraeum of Hawarte shows the tightest links between the western and eastern worship of Mithras in Roman Syria.
This white marble relief depicting a lion-headed figure from Ostia is now exposed at the Musei Vaticani.
This bronze arm, with stars and a swastika, was once thought to be part of a Mithras statuette but has since been dismissed as unrelated to the Mithras cult.
This second altar discovered to date near Inveresk includes several elements unusual in Mithraic worship.
In 1852, Károly Pap, a naval captain, unearthed several Mithraic monuments in his garden at Marospartos, including this altar.
The Mithraeum of Santa Maria Capua Vetere includes a marble relief depicting a child Eros guiding Psyche through the dark.
The importance of the Mithraeum of Marino lies in its frescoes, the most significant of which is that of Mithras slaying the bull, surrounded by mythological scenes.
The epigrahy includes a mention of Marcus Aurelius, a priest of the god Sol Mithras, who bestowed joy and pleasure on his students.
