Your search Italia gave 645 results.
The importance of the Mithraeum of Marino lies in its frescoes, the most significant of which is that of Mithras slaying the bull, surrounded by mythological scenes.
This remarkable Greek marble relief of Mithras killing the bull was discovered in 1705 and remained in private collections until it was bought by the Louvre.
The Mithraeum of Santa Maria Capua Vetere preserves frescoes depicting several scenes of the initiation rites.
The Mithraeum of the Seven Spheres (Sette Sfere) is of great importance for the understanding of the cult, because of its black-and-white mosaics depicting the planets, the zodiac and related elements.
The relief of Palazzo Colonna, Rome, depicts a lion-headed figure holding a burning torch in his outstretched hands.
This is the first known inscription that includes Phanes alongside Mithras found in a Mithraic context.
The Mithraeum of Santa Maria Capua Vetere includes a marble relief depicting a child Eros guiding Psyche through the dark.
This white marble relief of Mithras killing the bull was found on the Esquilino near the Church of Saint Lucy in Selci in Rome.
In this relief of Mithras as bull slayer, recorded in 1562 in the collection of A. Magarozzi, Cautes and Cautopates have been replaced by trees still bearing the torches.
This altar to Mithras found in Aquilieia mentions several persons of a same community.
The marble relief of Mithras killing the bull in Naples bears an inscription that calls the solar god omnipotentis.
The Mitreo della crypta neapolitana was used a des legends about its use, from a cult place devoted to Priapus to celebrate Aphrodite.
This cylindrical marble altar was dedicated by the same Pater Proficentius as the slab, both monuments found in the Mithraeum beneath the Basilica of San Lorenzo.
This inscription found in the Mithraeum Aldobrandini informs us of certain restorations carried out in the temple during a second phase of development.
This marble monument was dedicated in Rome by the slave Fructus and his son Myro.
This marble altar was found ’in the street called di Branco’, behind the palace of the Cardinal of Bologna, in Rome.
Aemilius Chrysanthus shares the expenses of this monument with a decurio named Limbricius Polides.
This marble plaque was made by a Pater and priest Lucius Septimius Archelaus of Mithras for him, his wife and his freedmen and freedwomen.
This white marble relief depicting a lion-headed figure from Ostia is now exposed at the Musei Vaticani.
This inscription was commissioned by a family of priests of the invincible god Mithras.
