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The Niasar Cave, غار نیاسر, was a temple probably devoted to Iranian Mithras that dates back to the early Partian era.
The exploration of an old pazo, a manor house, near the Roman wall, in Lugo, led to the discovery of a Roman domus, which existed continuously from the beginnings of the Christian Era until the Late Empire.
The existence of a mithraeum in the "tana del lupo", a natural cave in the castle of Angera, has been assumed since the 19th century, following the discovery of two mithraic inscriptions in the town.
The Mysteries of Mithras is an independent Initiatic Order which is inspired by and uses the allegory of the lost and ancient Mithraic Mysteries also known as Mithraism a previously influential Roman Cult of the same name.
These fragments of a monumental relief of Mithras killing the bull from Koenigshoffen were reassembled and are now on display at the Musée Archéologique de Strasbourg.
This remarkable marble statue of Mithras killing the bull from Apulum includes a unique dedication by its donor, featuring the rare term signum, seldom found in Mithraic contexts.
Tracing the links between the cult of Mithras and the Proud Boys’ quest for identity, power, and belonging. How ancient rituals and brotherhood ideals resurface in radical modern movements.
Over the last century or so, a great deal has been said about the god Mithras and his mysteries, which became known to the European world mainly through his Roman cultus during the Imperial Period.
The remains of the Mithraeum of Aosta, also known as the Mitreo di Augusta Praetoria, were discovered in 1953 in insula 59, in a commercial district of the ancient city.
This inscription found in the Mithraeum Aldobrandini informs us of certain restorations carried out in the temple during a second phase of development.
This fine Roman marble slab of the killing bull of Mithras belongs to a private owner, most recently from Los Angeles, USA.
This sculpture of Mithras killing the bull, which belongs to the Louvre Museum, is currently on display in Varsovia.
On one of the capitals of the cathedral of Santa Maria Nuova in Monreale, Sicily, an unusual turbaned bull-slaying Mithras has been recorded.
What appears to be a representation of Mithras killing the bull appears in the 12th century frescoes of the Basilica dei Santi Quattro Coronati in Rome.
The Mithraeum of Symphorus and Marcus, in Óbuda, Budapest, has been restored to public view in 2004 and, while well presented, it has been heavily restored.
Ernest Renan suggested that without the rise of Christianity, we might all have embraced the cult of Mithras. Nevertheless, it has had a lasting influence on secret societies, religious movements and popular culture.
Translation and Introductory Essay by Robert Lamberton. Station Hill Press Barrytown, New York 1983.
Preamble and notes published by G. R. S. Mead in his series Echoes from the Gnosis 1907, London and Benares. Translation of the manuscript by Dieterich Eine Mithrasliturgie 1903, Leipzig.
For the launch of our YouTube channel, we chat with the author, poet, essayist and friend Peter Mark Adams about the Sola-Busca tarot, a Renaissance masterpiece, uncovering ties to the Mithras cult.
