Dans un monde rempli d’une multitude de dieux, Mithra, que l’on dit venir de Perse, rencontra dès la fin du Ier siècle de notre ère un succès fulgurant qui perdura plus de 300 ans d’un bout à l’autre de l’Empire romain et attira des dizaine…
CUMONT (Franz) Les Religions orientales dans le paganisme romain. Paris, Librairie orientaliste Geuthner 1963, 336 et 16 planches hors-texte ; rééd anastatique de la 4e édition (1929)
On se réjouit de posséder nouveau ce grand livre. Certes notre…
Peter Kingsley interpreta el poema de Parménides a la luz de inscripciones del sur de Italia y lo sitúa en un trasfondo religioso ligado a los ritos de incubación y a los sacerdotes de Apolo.
«Con verdaderas dotes detectivescas va recorriendo lo que esas maneras abusivas de interpretar el pasado filosófico llevan consigo; el radical desconocimiento de una Atlántida sumergida que va emergiendo en virtud de las artes filológicas de este sing…
Composed in the twelfth century in north-eastern Iran, Attar's great mystical poem is among the most significant of all works of Persian literature. A marvellous, allegorical rendering of the Islamic doctrine of Sufism - an esoteric system concerned with …
Pseudo-Plutarch, De fluviis. Goodwin, Ed. Plutarch. Plutarch’s Morals. Translated from the Greek by several hands. Corrected and revised by. William W. Goodwin, PH. D. Boston. Little, Brown, and Company. Cambridge. Press of John Wilson and son.
Preamble and notes published by G. R. S. Mead in his series Echoes from the Gnosis 1907, London and Benares. Translation of the manuscript by Dieterich Eine Mithrasliturgie 1903, Leipzig.
It is well known that Mithras was born from a rock. However, less has been written about the father of the solar god, and especially about how he conceived him.
We propose to revisit a passage by the prolific author Marteen Vermaseren that highlights correspondences today forgotten between the Roman Mithras and its Eastern counterparts.
Peter Mark Adams: ‘The initiation was a frightening experience that caused some people to panic as a flood of otherworldly entities swept through the ritual space.’
Saul cutting the oxen to pieces poses as Mithras Tauroctonos in this painting, which adorns the mantelpiece of Henry II’s bedroom at the Château d’Écouen near Paris.
