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The mithraic relief of Konjic shows a Tauroctony in one side and a ritual meal in the other.
The epigrahy includes a mention of Marcus Aurelius, a priest of the god Sol Mithras, who bestowed joy and pleasure on his students.
The votive fresco from the Mithraeum Barberini displays several scenes from Mithras’s myth.
The Mithraeum of Visentium, near Capodimonte in Viterbo, was carved grotto-style into a tuff cliff overlooking the waters of Lake Bolsena, just a few dozen metres away.
"The remaining figure on this monument, Herakles, was previously misidentified as Apollo on this remarkable black basalt tablet from Samsat, known in Roman times as Samosata.
The Mühltal Mithraic crater was discovered among the artefacts of a mithraeum found in Pfaffenhoffen am Inn, Bavaria.
Franz Cumont considers the bas relief of Osterburken ’the most remarkable of all the monuments of the cult of Mithras found up to now’.
This relief is so well-known that it has been reproduced in nearly every handbook of archaeology and of history of religions.
The importance of the Mithraeum of Marino lies in its frescoes, the most significant of which is that of Mithras slaying the bull, surrounded by mythological scenes.
The tauroctonic relief from Dragus includes a naked flying figure that Vermaseren has identified as Phosporus or Lucifer.
Mithraic Influence on Early Christian Symbolism and Church – Architecture
The Mithraeum of the Seven Spheres (Sette Sfere) is of great importance for the understanding of the cult, because of its black-and-white mosaics depicting the planets, the zodiac and related elements.
Over the last century or so, a great deal has been said about the god Mithras and his mysteries, which became known to the European world mainly through his Roman cultus during the Imperial Period.
Upon first examination, archaeologists interpreted the inscription on the cult vessel from Gradishje as referencing Mithras, though it has since been re-evaluated.
This white marble relief of Mithras killing the bull was found on the Esquilino near the Church of Saint Lucy in Selci in Rome.
The remains of the Mithraeum of Aosta, also known as the Mitreo di Augusta Praetoria, were discovered in 1953 in insula 59, in a commercial district of the ancient city.
In this relief of Mithras as bull slayer, recorded in 1562 in the collection of A. Magarozzi, Cautes and Cautopates have been replaced by trees still bearing the torches.
The Mithraeum of Schwarzerden, also know as Mithräum von Reichweiler, was carved on the rock.
There is no consensus on the authenticity of this monument erected by a certain Secundinus in Lugdunum, Gallia.
This small cippus to Zeus, Helios and Serapis includes Mithras as one of the main gods, although some authors argue that it could be the name of the donor.
