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Mithraic Influence on Early Christian Symbolism and Church – Architecture
This gemstone depicting Mithras killing the bull, preserved in the Ploiești Museum, originated from Prahova County or south of the Danube area.
The large number of monuments found at the Mithraeum of Sarmizegetusa and the sheer size of the temple are unusual.
This remarkable double-sided relief depicts the myth of Mithras and the Tauroctony on one side, and a scene of Mithras the hunter and the banquet of Mithras and the Sol on the other.
The Mithraeum of Santa Maria Capua Vetere preserves frescoes depicting several scenes of the initiation rites.
Over the last century or so, a great deal has been said about the god Mithras and his mysteries, which became known to the European world mainly through his Roman cultus during the Imperial Period.
The Mithraeum of Thermes in Greece was discovered in 1915 by Bogdan Filov.
The relief of Palazzo Colonna, Rome, depicts a lion-headed figure holding a burning torch in his outstretched hands.
The Mithraeum of Santa Maria Capua Vetere includes a marble relief depicting a child Eros guiding Psyche through the dark.
The relief of Mithras slaying the bull of Nersae includes several episodes from the exploits of the solar god.
This altar found in Benifaió, València, was erected by a slave called Lucanus.
The remains of the Mithraeum of Aosta, also known as the Mitreo di Augusta Praetoria, were discovered in 1953 in insula 59, in a commercial district of the ancient city.
In this relief of Mithras as bull slayer, recorded in 1562 in the collection of A. Magarozzi, Cautes and Cautopates have been replaced by trees still bearing the torches.
This altar to Mithras found in Aquilieia mentions several persons of a same community.
The Cautopates of Bordeaux stands as usual with his legs crossed and arms down.
The marble relief of Mithras killing the bull in Naples bears an inscription that calls the solar god omnipotentis.
The Mitreo della crypta neapolitana was used a des legends about its use, from a cult place devoted to Priapus to celebrate Aphrodite.
This cylindrical marble altar was dedicated by the same Pater Proficentius as the slab, both monuments found in the Mithraeum beneath the Basilica of San Lorenzo.
This marble monument was dedicated in Rome by the slave Fructus and his son Myro.
