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In the Mithraic bronze brooch found in Ostia, Cautes and Cautopates have been replaced by a nightingale and a cock.
This silver amulet depicts Abraxas on one side and the first verses of the Book of Genesis in Hebrew on the other.
The Tauroctony relief of Neuenheim, Heidelberg, includes several scenes from the deeds of Mithras and other gods.
This altar from Ptuj, present-day Poetovio, is decorated with various Mithraic animals such as a tortoise, a cock and a crow and other objects.
Mithraeum II was found at Ptuj at a distance of 20 m south of the Mithraeum I in 1901.
The Tauroctony of Saarbourg (Sarrebourg, ancient Pons Sarravi), France, contains most of Mithras deeds known in a single relief.
This altar bears the oldest known Latin inscription to the god Mithras, written Mitrhe.
The sculptures of Cautes and Cautopates from the Mitreo del Palazzo Imperiale may have been reused from an older mithraeum in Ostia.
The Mithraic stele from Nida depicts the Mithras Petrogenesis and the gods Cautes, Cautopates, Heaven and Ocean.
The round relief of Mithras killing the bull of Split is surrounded by a circle with Sun, Moon, Saturn and some unusual animals.
The lack of attributes and its decontextualisation prevent us from attributing a specific Mithraic attribution to this small Venus pudica from Mérida.
This shrine developed towards the end of 2nd century and remained active until beginning 4th.
Szony's bronze plate shows Mithra slaying the bull and the seven planets with attributes at the bottom of the composition.
The Mitreo dei Marmi Colorati takes its name after the discovery of a black-and-white mosaic of Pan fighting with Eros.
Peter Mark Adams: ‘The initiation was a frightening experience that caused some people to panic as a flood of otherworldly entities swept through the ritual space.’.
Those initiated into the Mithraic cult were called upon to climb up to seven symbolic rungs of the ladder ultimately leading to the rank of Pater.
How a rock relief in western Iran, carved during the time of the Sasanian Persian Empire (AD 224-651), has been re-imagined over the centuries.
The mosaic paved floor of the central aisle shows different figures: 1) On the threshold a large central arch formed by two pilasters; this main arch, from which hangs an oscillum is flanked by three minor arches on either side (seven spheres of the planets) (Becatti, PI. XIX)…
