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Mithraeum II was found at Ptuj at a distance of 20 m south of the Mithraeum I in 1901.
This altar bears the oldest known Latin inscription to the god Mithras, written Mitrhe.
The sculptures of Cautes and Cautopates from the Mitreo del Palazzo Imperiale may have been reused from an older mithraeum in Ostia.
The Mithraic stele from Nida depicts the Mithras Petrogenesis and the gods Cautes, Cautopates, Heaven and Ocean.
The round relief of Mithras killing the bull of Split is surrounded by a circle with Sun, Moon, Saturn and some unusual animals.
The lack of attributes and its decontextualisation prevent us from attributing a specific Mithraic attribution to this small Venus pudica from Mérida.
This shrine developed towards the end of 2nd century and remained active until beginning 4th.
Szony's bronze plate shows Mithra slaying the bull and the seven planets with attributes at the bottom of the composition.
The Mitreo dei Marmi Colorati takes its name after the discovery of a black-and-white mosaic of Pan fighting with Eros.
Peter Mark Adams: ‘The initiation was a frightening experience that caused some people to panic as a flood of otherworldly entities swept through the ritual space.’.
Those initiated into the Mithraic cult were called upon to climb up to seven symbolic rungs of the ladder ultimately leading to the rank of Pater.
How a rock relief in western Iran, carved during the time of the Sasanian Persian Empire (AD 224-651), has been re-imagined over the centuries.
This stone in basso relief of Mithras killing the bull was found 10 foot underground in Micklegate York in 1747.
One of the altars from the Carrawburgh Mithraeum depicts the bust of Mithras or Sol.
