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Marble altar dedicated to Sol Invictus Mithras, found in Rome (in aedibus Maffaeiorum), set up in 183 A.D. by M. Ulpius Maximus, praepositus tabellariorum, together with its ornaments and Mithraic insignia, in fulfilment of a vow.
A marble head in the Uffizi Gallery, long interpreted as a “dying Alexander,” but probably representing Mithras tauroctonos.
Proceedings of the International Seminar on the 'Religio-Historical Character of Roman Mithraism, with Particular Reference to Roman and Ostian Sources'. Rome and Ostia 28-31 March 1978
Figures in procession, each representing a different grade of Mithraic initiation, labeled with their respective titles.
Fresco showing a scene of initiation into the mysteries of Mithras in the Mithraeum of Santa Maria Capua Vetere.
The Mithraeum at Espronceda Street, in Merida, was discovered in 2000. It is a semi-subterranean temple.
Tracing the links between the cult of Mithras and the Proud Boys’ quest for identity, power, and belonging. How ancient rituals and brotherhood ideals resurface in radical modern movements.
The large number of monuments found at the Mithraeum of Sarmizegetusa and the sheer size of the temple are unusual.
Porphyry states that the Mithraists “perfect their initiate by inducting him into a mystery of the descent of souls and their exit back out again, calling the place a ‘cave’.”.
This small bronze statuette of Mithras riding a horse is composed of two pieces.
In a house from the time of Constantine, a Lararium was found with a statue of Isis-Fortuna. The Mithraeum was a door next to it, on a lower room.
Ernest Renan suggested that without the rise of Christianity, we might all have embraced the cult of Mithras. Nevertheless, it has had a lasting influence on secret societies, religious movements and popular culture.