Your search Pannonia superior gave 268 results.
This marble relief, found in Sisak, Croatia, shows Mithras killing the bull in a circle of corn ears, gods and some scenes from the Mithras myth.
The altar of Ptuj depicts Mithras and Sol on the front and the water miracle on the right side.
Bronze fibula from Petronell-Carnuntum, depicting a standing lion-headed Aion.
Sandstone petrogenesis from Petronell-Carnuntum (Lower Austria), depicting Mithras emerging from the rock, preserved from the knees upwards.
Sandstone relief of Mithras as bull-slayer, found at Petronell in 1932, with dog, serpent and scorpion, traces of polychromy preserved, now in the Museum Carnuntinum.
Sandstone relief of Mithras killing the bull, broken in two parts and partly restored, with dog, serpent and scorpion preserved; formerly in Vienna, now on loan to the Museum Carnuntinum.
Marble votive altar with inscription to Mithras, featuring coiled, fan-like motifs above the text and associated with the statio Enensis.
Found in Illmitz, Austria, in 1959, this altar was dedicated to the unconquered god Mithras by a certain Aelius Valerianus.
Altar with Cautes and Cautopates dedicated to Sol Invictus Mithras as protector of the Tetrarchy in 3rd-century Carnuntum.
Relief of Mithras killing the bull with an inscription from a certain Aurelius Macer who dedicates it to Sol Invictus Mithras.
Only parts of the knees of Mithras, emerging from the rock, have been preserved from this monument of Petronell-Carnuntum, Austria.
Aelius Nigrinus dedicated this small altar in Carnuntum to the rock from which Mithras was born.
This monument to Mithras and Cautes (or Cautopates) was erected in Carnuntum by the centurion Flavius Verecundus of Savaria.
The Mithraeum I of Ptuj contains the foundation, altars, reliefs and cult imagery found in it.
This primitive relief of Mithras as a bullkiller is signed by a certain Valerius Marcelianus.
This altar, found in the 3rd mithraeum of Ptuj, bears an inscription and a relief of Sol and a person with a cornucopia.
According to the scarcely detailed design of von Sacken, the lay-out of the temple must have been nearly semi-circular.