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This is one of the three reliefs depicting Mithras killing the bull that the Louvre Museum acquired from the Roman Villa Borghese collection.
Antiochus I of Commagene shakes Mithras hands in this relief from the Nemrut Dagi temple.
This scene from the frescoes of the Mitreo di Santa Maria Capua Vetere shows a kneeling, naked man surrounded by two other figures.
In the Mithraeum of S. Capua Veteres, Cautes stands between two laurel trees.
Fresco depicting an initiation scene from the Mithraeum of Capua Vetere.
The vault of the Mithraeum in S. Capua Vetere is decorated with stars that have holes in their centers, which once held colorful glass decorations.
This small golden figurine seems to represent the Mithraic god Aion, as usual surrounded by a serpent.
This limestone relief of Mithras killing the bull bears an inscription by a certain Flavius Horimos, consecrated in a ’secret forest’ in Moesia.
Triangular relief in yellow sandstone showing a crescent in relief.
Sandstone relief depicting the god Aion, standing with wings, a staff and a key, accompanied by a lion and a serpent-entwined vessel.
Standing stone statuette of Cautopates, the downward-torch bearer, found at Bordeaux and kept in the city’s museum of antiquities (musée d’Aquitaine ?).
A number of metal objects and weapons have been found in the Mithraeum of Les Bolards, close to Nuits-Saint-Georges in France.
The present volume reconstructs the history of the mithraea of Güglingen. In addition, rich finds provide insight into hitherto unknown areas of the liturgical practice of the cult of Mithras.
Actuarius and notarius, Celsianus dedicated an altar to Sol Mithras for the health of two illustrious men.
The Stockstadt Raven is one of only two standing-alone sculptures of this bird to be found in Mithraic statuary.
The Cautopates of Bordeaux stands as usual with his legs crossed and arms down.
