Your search Radcliffe G. Edmonds III gave 442 results.
Radcliffe G. Edmonds III analyses the absence of the moon in the Mithras Liturgy. He argues that this absence reflects a deliberate cosmological framework in which lunar powers linked to genesis are excluded from the ritual of ascent.
Over the last century or so, a great deal has been said about the god Mithras and his mysteries, which became known to the European world mainly through his Roman cultus during the Imperial Period.
This altar is dedicated to the god Sol Invictus Mithras by a certain Florus, a veteran of the Legio III Augusta.
This relief of Mithras killing the bull was dedicated by the bearer of the imperial standard of Legio XIII Gemina, Marcus Ulpius Linus.
The inscription reports the restoration of the coloured painting of the main relief of the Mithraeum by a veteran of the Legio VIII Augusta.
Cautes and Cautopates attend the birth of Mithras from the rock in the Petrogenia of the third Mithraeum of Ptuj.
Found in Illmitz, Austria, in 1959, this altar was dedicated to the unconquered god Mithras by a certain Aelius Valerianus.
This altar to the god Sol invicto Mithra was erected by a legate during Maximin’s reign in Lambaesis, Numidia.
This altar, found in the 3rd mithraeum of Ptuj, bears an inscription and a relief of Sol and a person with a cornucopia.
Mithraeum III found in the west part of Petronell near Hintausried in August 1894 by J. Dell and C. Tragau.
This marble relief from Alba Iulia contains numerous scenes from the myth of Mithras.
This limestone altar bears an inscription from its donor, Firmidius Severinus, in honour of Mithras after 26 years of service in the Legio VIII Augusta.
Mithraeum III in Ptuj was built in two periods: the original walls were made of pebbles, while the extension of a later period was made of brick.
Firmidius Severinus was a soldier who served in the Legio VIII Augusta for 26 years.
Soldier of Legio XIII Gemina and strator consularis who dedicated an altar to the invincible Mithras.
Centurio of the Legio III Augusta, Florus dedicated an altar to the unconquered Sol Mithras in El Gahra.
This collective volume explores the ways ancient peoples interacted with divine powers through prayer, magic, and the interpretation of the stars. Drawing on evidence from Mesopotamia to Late Antiquity, it situates these practices within broader religious and cosmological systems…
Dans un VIIIᵉ siècle uchronique où Mithra est devenu le dieu officiel de Rome, Rachel Tanner imagine un empire impitoyable, déchiré entre révoltes barbares, intrigues politiques et résistances occultes, porté par une fresque de fantasy historique d’une intensité rare…
This graffito seems to be an account of offerings made by Mithras worshippers in the Cassegiato di Diana.
