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Three European museums celebrate Mithras with a continental exhibition featuring more than 200 works of art from Roman times to the present day.
The ancient Roman worshippers were likely in altered states of consciousness.
This monument is the only one still available from the disappeared Mithraeum in Piazza S. Silvestro in Capite.
Roman relief from a sanctuary on the Janiculum Hill (Rome), showing a male figure bound by a serpent coiled seven times.
The marble shows Mithras slaying the bull, on one side, and Sol and Mithras feasting on a bull skin, on the other.
One of the clearest examples of the late Roman aristocracy’s involvement in the mysteries of Mithras and other initiatory cults during the fourth century.
Late Roman senator, public augur and Mithraic pater active in the second half of the fourth century CE.
Late Roman senator and governor of Numidia whose inscriptions present him as a Mithraic pater and initiate in several mystery cults.
White marble statue of Mithras killing the sacred bull preserved in the Museo Nacional Romano.
This is one of the three reliefs depicting Mithras killing the bull that the Louvre Museum acquired from the Roman Villa Borghese collection.
This altar dedicated to Sol Invictus Mithras by a certain Septimius Zosimus was found in the Basilica of San Martino ai Monti in Rome.
The Mithraeum under the Basilica of San Clemente made part of a notable Roman house.
This catalogue proposes, thanks to the contributions of some 75 international experts, a new synthesis for a complex and fascinating cult that reflects the remarkable advances in our knowledge in recent decades.
Dans un VIIIᵉ siècle uchronique où Mithra est devenu le dieu officiel de Rome, Rachel Tanner imagine un empire impitoyable, déchiré entre révoltes barbares, intrigues politiques et résistances occultes, porté par une fresque de fantasy historique d’une intensité rare…
