Your search Saint-Germain-en-Laye gave 170 results.
In the mithraic relief of Entrains, the god Sol is depicted riding his chariot together with Luna and a krater surrounded by a serpent.
This altar was dedicated by a son to his father, one of the few Patres Patrum recorded in the western provinces.
The Mithréum de Bourg-Saint-Andéol was built against a rock where the main Tauroctony was chiseled.
The low relief of Bourg-Saint-Andéol depicting Mithras killing the bull has been chiseled on the rock.
This fragmentary tauroctony from Roman Gaul preserves a striking raven behind Mithras’ cloak and the bust of Sol in the upper corner.
A serpent emerging from a umbilicus at the side of the stele coils over Mithras naked body.
This eulogy of Saint Eugene of Trapezos tells how, in the time of Diocletian, he and two other Christian fellows destroyed a statue of Mithras.
Nuits-Saint-Georges is a commune in the arrondissement of Beaune of the Côte-d'Or department in the Bourgogne-Franche-Comté region in Eastern France.
Bourg-Saint-Andéol is a commune in the Ardèche department in the Rhône Valley in southern France.
At Rome’s twilight, amid political upheaval and Christian ascendancy, Vettius Agorius Praetextatus embodied pagan intellect, virtue, and authority across senatorial, military, and mystical spheres.
Conglomerate statue of the birth of Mithras, found in a burnt layer, showing the god nude emerging from the rock with raised hands and a snake.
George Ryley Scott explores the significant role that male sexual organs, practices, and rites have played in various traditions throughout history and into the present day.
Roger Beck describes Mithraism from the point of view of the initiate engaging with the religion and its rich symbolic system in thought, word, ritual action, and cult life.
Nouveau video de Mysteria dédié au culte de Mithra à partir de l'exposition Le mystère de Mithra au Musée Saint Raymond.
Tracing the links between the cult of Mithras and the Proud Boys’ quest for identity, power, and belonging. How ancient rituals and brotherhood ideals resurface in radical modern movements.
This marble sculpture from Sicily, known as the Randazzo Vecchio or Rannazzu Vecchiu, contains some essential elements of the Mithraic Aion, the lion-headed god.
What appears to be a representation of Mithras killing the bull appears in the 12th century frescoes of the Basilica dei Santi Quattro Coronati in Rome.
A statue and a relief of Cautes have been found in an ancient Gallo-Roman site in the commune of Dyo.
