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Straton, son of Straton, consecrated an altar to Helios Mithras in Kreta, Moesia inferior.
The floor mosaic of the Mithraeum of the Seven Spheres, which gives its name to the temple, depicts a dagger.
Second Mithraic monument dedicated by the Kastos family, found not far from the Arco di S. Lazzaro, in Rome.
This limestone altar bears an inscription from its donor, Firmidius Severinus, in honour of Mithras after 26 years of service in the Legio VIII Augusta.
The altar that now stands in Split was dedicated to Invincible Mithras for the health of a dear friend.
The inscription explains the transmission of the fourth Mithraic degree through the Paters of the Mitraeum of San Silvestro.
This marble gives some details of the reconstruction of the Virunum Mithraeum.
Antonius Valentinus, centurio, made this plaque for the salut des empereurs Septimus Severus and Marcus Aurelius.
This altar, now lost, mentions that the Pater Patrum passed on the attributes of the sacred Corax to his son.
The name of the Mithraeum of the Seven Gates refers to the doors depicted in the mosaic that decorates the floor, symbolising the seven planets through which the souls of the initiates have to pass.
The Mitreo dei Marmi Colorati takes its name after the discovery of a black-and-white mosaic of Pan fighting with Eros.
The Mithraeum of the Animals was decorated with a mosaic depicting a naked man, a cock, a raven, an scorpion, a snake and the head of the bull.
This inscription shows that Publilius Ceionius, most distinguished man, dedicated a temple to Mithras at Mila, in the modern Constantina, Algeria.
The statue was dedicated to Mercury Quillenius, an epithet used to refer to a Celtic god or the Greek Kulúvios.
Only parts of the knees of Mithras, emerging from the rock, have been preserved from this monument of Petronell-Carnuntum, Austria.
This altar for the completion of a temple to Sol Invictus by Flavius Lucilianus was found in Fossa, Italy.
The second statue of Mithras rock-birth was found in the Mitreo di Santo Stefano Rotondo shows a childish Mitras emerging from the rock.
Rebecca Jelbert explores Michelangelo’s major works through the lens of hidden structures, symbolic systems, and esoteric traditions. It considers how themes associated with Mithras and other mystery cults may illuminate new interpretative possibilities within Renaissance art…
Maarten Vermaseren, qui a publié un corpus des inscriptions et des monuments de la religion mithriaque et un certain nombre d'études savantes sur le même sujet est certainement l'un des meilleurs spécialistes de la question.
A study of Roman Mithraism that combines historical evidence with a symbol-centred interpretive approach, exploring Mithraic iconography, ritual experience, and the cult’s encounter with Christianity in the Late Empire.