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Marble plaque with inscription by a certain Ursinus found in Virunum in 1838.
White marble relief depicting Mithras as bull-slayer in a grotto from the Froehner collection, now in the Cabinet des Médailles, Paris.
Terracotta krater from the southern part of the Friedberg Mithraeum, discovered in 1849. The vessel is decorated in relief with serpents, a scorpion and a ladder-like motif.
Roman relief from a sanctuary on the Janiculum Hill (Rome), showing a male figure bound by a serpent coiled seven times.
In these passages from his hymns and satires, Julian articulates a solar theology in which Helios governs cosmic order and time. Within this framework, Mithras appears as a personal divine guide associated with the ascent of souls.
Triangular marble slab (H. 0.39 Br. 0.30 D. 0.03), found in the Forum of Nerva.
Emperor Julian may have been initiated into the cult of the god Mithras at the Mithraeum of Vienne, France, according to Turcan.
The Mithraic vase from Ballplatz in Mainz depicts seven figures arranged in two narrative sequences, commonly interpreted in relation to initiation rites.
Head, possibly of Mithras, wearing a Phrygian cap, found in the bed of the Millicri River, near Locri, Calabria.
Mithras being born from the rock (petrogenia), acquired in Rome and formerly kept in Berlin.
The Mithraeum of the Crypta Balbi was locted in the middle of a densely populated insula near the theatre of Cornelius Balbus.
The Mithraeum under the Basilica of San Clemente made part of a notable Roman house.
A number of metal objects and weapons have been found in the Mithraeum of Les Bolards, close to Nuits-Saint-Georges in France.
Radcliffe G. Edmonds III analyses the absence of the moon in the Mithras Liturgy. He argues that this absence reflects a deliberate cosmological framework in which lunar powers linked to genesis are excluded from the ritual of ascent.
A critical edition of the Mithras Liturgy (PGM IV.475–834), providing the Greek text, English translation, commentary, and an updated discussion of its interpretation since Albrecht Dieterich’s 1903 edition.
Genet aborde les thèmes qui lui sont chers, dans les règles de l’art mais en laissant affleurer un lyrisme bien tenu.
L'école mithriaque représente, à nos yeux, une source riche et féconde d'enseignements relatifs à la conduite de la vie. Il nous a semblé aussi que la psychothérapie actuelle se trouverait enrichie par l'étude des données des "psychodrames"…
Why did the Romans worship a Persian god? This book presents a new reading of the Mithraic iconography taking into account that the cult had a prophecy.
