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In these two key passages, Justin Martyr interprets Mithraic rituals and myths as demonic parodies of Christ’s incarnation, the Eucharist, and biblical revelation.
In polemical passages from the late second and early third centuries, Tertullian portrays the cult of Mithras as a demonic imitation of Christian rites and provides rare early references to Mithraic initiation and ritual symbolism.
Trabzon is a historic city on the Black Sea coast of northeastern Turkey, founded in 756 BC as Trapezous by Greek colonists from Miletus. It passed from Achaemenid control to the Kingdom of Pontus, then became part of the Roman and Byzantine empires.
Radcliffe G. Edmonds III analyses the absence of the moon in the Mithras Liturgy. He argues that this absence reflects a deliberate cosmological framework in which lunar powers linked to genesis are excluded from the ritual of ascent.
Acclaimed esoteric scholar @peter.mark.adams talks about his latest book, ‘Ritual and Epiphany in the Mysteries of Mithras’, interviewed by professor, writer and host of The New Mithraeum podcast @andreu.abuin.
The Mithraic nature of the frescoes of Oea, according to the scholars Cumont and Vermaseren, is now questioned.
Saul cutting the oxen to pieces poses as Mithras Tauroctonos in this painting, which adorns the mantelpiece of Henry II’s bedroom at the Château d’Écouen near Paris.
Conversation with Peter Mark Adams on the occasion of the release of Ritual & Epiphany in the Mysteries of Mithras, by Theion Publishing.
This relief of Mithras slaying the bull, framed by acanthus leaves, was sold at auction in 2011 by Bonhams.
Philippe Roy, docteur en Sciences de l’Antiquité, présente dans cette vidéo la réception du culte de Mithra dans les provinces occidentales de l’Empire romain.
The Cilician pirates incorporated significant divine feminine elements, notably Anahita, into their Mithraic practices, profoundly influencing the initiation rites within the Roman Empire.
This sculpture of Cautes holding a bull’s head was found in 1882 in Sarmizegetusa, Romania.
The Mithraic relief from Baris, in present-day Turkey, shows what appears to be a proto-version of the Tauroctony, with a winged Mithras surrounded by two Victories.
The tauroctonic relief from Dragus includes a naked flying figure that Vermaseren has identified as Phosporus or Lucifer.
Porphyry states that the Mithraists “perfect their initiate by inducting him into a mystery of the descent of souls and their exit back out again, calling the place a ‘cave’.”.
Over the last century or so, a great deal has been said about the god Mithras and his mysteries, which became known to the European world mainly through his Roman cultus during the Imperial Period.
Several inscriptions dedicated to Mithras have been found in Eauze, including these two by a certain Pater Sextus Vervicius Eutyches, discovered in 1768.
This fragmented altar was found in two pieces that Ana Osorio Calvo has recently brought together.
The Cautopates of Bordeaux stands as usual with his legs crossed and arms down.
