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The Aion of Arles includes nine signs of the zodiac in three groups of three, between the spirals of the serpent.
The Tauroctony of Patras was found years before the temple over which the relief of Mithras sacrificing the bull was supposed to preside.
The Mithraic fellow P. Aelius Urbanus mentions that he built the sacred area of the Mithraeum Circo Massimo.
The Mithraeum of Martigny is the first temple devoted to Mithras found in Switzerland.
Relief of Heracles/Hercules capturing the Golden Hind of Artemis.
The relief of Mithras slaying the bull found on the Esquiline Hill includes two additional scenes with Mithras and two other figures.
He was a soldier of the Cohors I Belgarum, probably of Dalmatian origin, who dedicated an altar to Mithras in Aufustianis.
Freedman, he offered a relief of Mithras as a bull killer for the well-being of his two former masters in Apulum.
Together with his son, with whom he shares his name, Kastos has dedicated several monuments in Rome to the glory of Zeus Helios Mithras.
A study of Roman Mithraism that combines historical evidence with a symbol-centred interpretive approach, exploring Mithraic iconography, ritual experience, and the cult’s encounter with Christianity in the Late Empire.
Excavated in 1919, the Mithraeum near the Roman Gate was installed in the 3rd century within a larger building complex.
Fragment of a double-sided white marble Mithraic relief from San Zeno, found near the Castello di Tuenno, depicting elements of the tauroctony cycle and bearing a dedication to Deo Invicto Mithrae.
This is one of the three reliefs depicting Mithras killing the bull that the Louvre Museum acquired from the Roman Villa Borghese collection.
Roman relief from a sanctuary on the Janiculum Hill (Rome), showing a male figure bound by a serpent coiled seven times.
The article examines two recently discovered Mithraic representations of Cautes from Alba Iulia, focusing on a rare iconographic type showing the torchbearer with a bucranium.
Statue of Cautes from Bodobrica, discovered around 1940, depicting the torchbearer standing before a tree or rock and associated with a bucranium.
In the eighteenth year of Diocletian’s reign, Galerius Maximianus, persuaded by the sorcerer Theoteknos, consulted demonic oracles in a cave and was urged to initiate the persecution of the Christians.
Professor Wind's acclaimed work explores pagan mysticism and neoplatonic philosophy in Renaissance art, offering insightful analyses of masterpieces by Botticelli, Michelangelo, Raphael and Titian.
Kerivel explore voie mystique des Alévis que, selon lui, trouve son origine dans la très ancienne religiosité des peuples iraniens et sur les structures et les rituels du culte de Mithra.
