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Roman relief from a sanctuary on the Janiculum Hill (Rome), showing a male figure bound by a serpent coiled seven times.
A series of polemical passages in which a leading fourth-century Christian theologian presents the cult of Mithras as a religion defined by cruelty, bodily suffering, and shameful initiation rites.
The altar of the Mithraeum of San Clemente bears the Tauroctony on the front, Cautes and Cautopates on the right and left sides and a serpent on the back.
In the eighteenth year of Diocletian’s reign, Galerius Maximianus, persuaded by the sorcerer Theoteknos, consulted demonic oracles in a cave and was urged to initiate the persecution of the Christians.
Roger Beck describes Mithraism from the point of view of the initiate engaging with the religion and its rich symbolic system in thought, word, ritual action, and cult life.
Le groupe caractéristique « lion, serpent, cratère » marque le rapport avec le culte mithriaque, car comme nous croyons l’avoir montré, ce groupe ne symbolise pas la lutte des éléments, terre, eau et feu, mais la participation des animaux-attributs au sacrifice, par Mithra…
Ce 4e fascicule de Mithriaca concerne un très curieux monument exhumé au XVIe siècle sur le site d'un Mithraeum qu'on localise tout près de l'église S. Maria in Domnica, non loin de S. Stefano Rotondo où un autre spelaeum fut mis au jour en 1973…
Robert Turcan highlights various examples of the philosophical interpretation, mainly Platonic, of the figure and cult of Mithras.
Callimorphus dedicated this image of the sun god to the invincible sun ’Mythra’.
Gnostic amulet found in the ancient Agora of Athens, depicting Abraxas on one side and a Mithraic inscription on the other.
This inscription, which doesn’t mention Mithras, was found near the church of Santa Balbina on the Aventine in Rome.
Deux extraits rapportés par Eznik de Goghp, Ve siècle, sur la création du Soleil selon les mythologies des mages.
The scholiast Lactantius Placidus comments on Statius’ passage identifying the Sun as Titan, Osiris, and Mithras, interpreting the Persian cave figure with the bull.
The Aion / Phanes relief, currently on display in the Gallerie Estensi, Moneda, is associated with two Eastern mysteric religions: Mithraism and Orphism.
The marble Aion from the lost Mithraeum Fagan, Ostia, now presides the entrance to the Vatican Library.
This inscription commemorates the building of a mithraeum in Bremenium with fellow worshippers of Mithras.
