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We propose to revisit a passage by the prolific author Marteen Vermaseren that highlights correspondences today forgotten between the Roman Mithras and its Eastern counterparts.
This scene from the frescoes of the Mitreo di Santa Maria Capua Vetere shows a kneeling, naked man surrounded by two other figures.
The Mithraeum of Lucretius Menander was installed in the early 3rd century in an alley to the east of a Hadrianic building named after the solar god temple.
This marble gives some details of the reconstruction of the Virunum Mithraeum.
The Tauroctony of Saarbourg (Sarrebourg, ancient Pons Sarravi), France, contains most of Mithras deeds known in a single relief.
This painting depicts an Iranian knight holding in a chain a black naked figure with two heads.
Mithras became the main deity worshipped in the sanctuary of Meter in Kapikaya, Turkey, in Roman times, at least until the fourth century.
A votive altar referring to the cult of Mithras was found more than forty years before the site was excavated and the Mithraeum discovered.
The dedicant of this altar to the god Arimanius was probably a slave who held the grade of Leo.
The Kempraten Mithraeum was unexpectedly discovered during the 2015 excavations near the vicus.
This altar was dedicated by a son to his father, one of the few Patres Patrum recorded in the western provinces.
The dedicator of this altar was a slave in the service of a high official, the prefect Gaius Antonius Rufus, known from other inscriptions.
This altar, now lost, mentions that the Pater Patrum passed on the attributes of the sacred Corax to his son.
The sculpture of Oceanus in Merida bears an inscription by the Pater Patrorum Gaius Accius Hedychrus.
This shrine developed towards the end of 2nd century and remained active until beginning 4th.
The name of the Mithraeum of the Seven Gates refers to the doors depicted in the mosaic that decorates the floor, symbolising the seven planets through which the souls of the initiates have to pass.
Maarten Vermaseren acquired this rosso antico marble of Mithras slaying the bull in 1961.
Szony's bronze plate shows Mithra slaying the bull and the seven planets with attributes at the bottom of the composition.
On Hadrian's Wall lies the ruin of a subterranean temple to a little-known god, at the centre of a secretive Roman cult.
The Mitreo dei Marmi Colorati takes its name after the discovery of a black-and-white mosaic of Pan fighting with Eros.
