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On the Aventine, between the Eastern side of S. Saba’s and the Via Salvator, there is a Roman building, which probably was used as a Mithraeum in the end of the 4th century.
This fresco, found in the Santa Capua Vetere Mithraeum, depicts what seems to be an initiate falling forward because someone is pressing down on his shoulders.
The existence of a mithraeum in the "tana del lupo", a natural cave in the castle of Angera, has been assumed since the 19th century, following the discovery of two mithraic inscriptions in the town.
The epigrahy includes a mention of Marcus Aurelius, a priest of the god Sol Mithras, who bestowed joy and pleasure on his students.
The votive fresco from the Mithraeum Barberini displays several scenes from Mithras’s myth.
This marble slab bears an inception be the Pater Proficentius to whom Mithras has suggested to build and devote a temple.
This fragment of a sculpture depicting the birth of Mithras from a rock, intertwined with a chaotic mass of serpent coils, was discovered in Aquileia, Italy.
This unusual bronze bust of Sabazios features multiple symbolic elements, with Mithras depicted in his characteristic pose of slaying the bull, positioned just below Sabazios’ chest.
The Mithraeum of Visentium, near Capodimonte in Viterbo, was carved grotto-style into a tuff cliff overlooking the waters of Lake Bolsena, just a few dozen metres away.
The Mithraeum was inserted into the basement of the basilica-theater by the 3rd century.
The Mithraeum of Marino presents an unusually elongated structure with depictions from the Severian period.
The importance of the Mithraeum of Marino lies in its frescoes, the most significant of which is that of Mithras slaying the bull, surrounded by mythological scenes.
This remarkable Greek marble relief of Mithras killing the bull was discovered in 1705 and remained in private collections until it was bought by the Louvre.
The Mithraeum of Santa Maria Capua Vetere preserves frescoes depicting several scenes of the initiation rites.
The Mithraeum of the Seven Spheres (Sette Sfere) is of great importance for the understanding of the cult, because of its black-and-white mosaics depicting the planets, the zodiac and related elements.
The relief of Palazzo Colonna, Rome, depicts a lion-headed figure holding a burning torch in his outstretched hands.
This is the first known inscription that includes Phanes alongside Mithras found in a Mithraic context.
The Mithraeum of Santa Maria Capua Vetere includes a marble relief depicting a child Eros guiding Psyche through the dark.
The relief of Mithras slaying the bull of Nersae includes several episodes from the exploits of the solar god.
