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This inscription mentions a Pater for the first known time.
Marble altar dedicated to Sol Invictus Mithras, found in Rome (in aedibus Maffaeiorum), set up in 183 A.D. by M. Ulpius Maximus, praepositus tabellariorum, together with its ornaments and Mithraic insignia, in fulfilment of a vow.
Sepulchral limestone inscription from the vicinity of the Mithraeum at Colonia Agrippina (Germania Inferior), mentioning the Mithraic grade Corax.
This small golden figurine seems to represent the Mithraic god Aion, as usual surrounded by a serpent.
Excavated in 1919, the Mithraeum near the Roman Gate was installed in the 3rd century within a larger building complex.
Fragment of a double-sided white marble Mithraic relief from San Zeno, found near the Castello di Tuenno, depicting elements of the tauroctony cycle and bearing a dedication to Deo Invicto Mithrae.
Limestone low-relief depicting Cautopates standing cross-legged in eastern dress, accompanied by a bull, flowing water from an overturned jar and a crescent from Bolognia.
Marble inscribed slab recording the dedication of a Mithraeum and an antrum to Mithras for the safety and victories of Septimius Severus and his family, found in Rome.
Marble statue of a standing woman in a himation, pierced between the feet for a water pipe. Fragmentary and possibly representing a water nymph. From the Mithraeum delle Sette Porte, Ostia.
The sculpture of the birth of Mithras in Florence included the head of Oceanus.
Carrara is a town and comune in Tuscany, in northern Italy, of the province of Massa and Carrara, and notable for the white or blue-grey marble quarried there.
Epizephyrian Locris, also known as Locri Epizephyrii or simply Locri, was an ancient Greek city in Southern Italy.
This is one of the three reliefs depicting Mithras killing the bull that the Louvre Museum acquired from the Roman Villa Borghese collection.
A marble head in the Uffizi Gallery, long interpreted as a “dying Alexander,” but probably representing Mithras tauroctonos.
The Mithraeum of Sutri was built inside a rocky hill that also hosted the Roman theatre of the city.
Marble inscription recording the dedication of a cult image to the unconquered Mithras by a certain pater Valerius Marinus from Rome.
Currently in the Musei Vaticani, this Tauroctony includes Mithras’s birth restored as Venus anaduomene.
Even if only a few fragments remain, it is very likely that the main niche of the Mitreo di Santa Prisca contained the usual representation of Mithras killing the bull.
This Mithraic temple, also known as the Mithraeum of the Olympii, dates to the 3rd century and was rediscovered in 15th-century Rome, but it has not been preserved.
This monument is the only one still available from the disappeared Mithraeum in Piazza S. Silvestro in Capite.
