Your selection in monuments gave 291 results.
New evidence for the cult of Mithras and the religious practices of Legio IV Scythica at the Roman frontier city of Zeugma on the Euphrates.
Marble statuette of the torchbearer Cautes bearing the votive inscription HYMNUS INBICTO, probably produced during the second or third century CE and preserved in an old European collection.
Rock-cut tauroctony forming the cult image of Mithraeum I at Doliche, later deliberately defaced by Christian iconoclasts.
Small marble relief from the Aventine showing a primitive representation of Mithras slaying the bull, without torchbearers or Sol and Luna.
The main relief of Mithras killing the bull from the Mithraeum of Dura Europos includes three persons named Zenobius, Jariboles and Barnaadath.
The tauroctony relief of Sidon depicts the signs of the zodiac and the four seasons, among other familiar features.
The Mithras killing the bull sculpture from Sidon, currently Lebanon.
This intaglio portrays Mithra slaying the bull on one side, and a lion with a bee, around seven stars, and inscription, on the other.
This sculpture of Mithras killing the bull was dedicated to the “incomprehensible god” by a certain priest called Gaius Valerius Heracles.
Mosaic-paved floor of the central aisle of the Mitreo delle Sette Porte at Ostia, with a krater flanked by serpent and eagle, standing Jupiter and Saturn, torchbearers at the podia, and planetary gods Mars, Luna, Venus, and Mercury.
Marble tauroctony relief from Ozd (Magyarózd), attesting a rural Mithraic presence in the interior of Roman Dacia Superior.
Sandstone tauroctony relief from the Mithraeum at Kreta (Крета), depicting Mithras within a vaulted grotto accompanied by the torchbearers, Sol and Luna.
Relief showing Mithras slaying the bull, found at Paks in Roman Pannonia, modern-day Hungary.
Fragmentary Mithraic relief from Ratiaria depicting the tauroctony above a series of narrative scenes from the myth of Mithras and Sol.
Black polished cone-shaped prehistoric axe from Argolis, now in the Athens National Museum, interpreted by some scholars as having Mithraic votive associations.
Altar with Cautes and Cautopates dedicated to Sol Invictus Mithras as protector of the Tetrarchy in 3rd-century Carnuntum.
Carved directly into the rock of the Rožanec sanctuary, this tauroctony relief preserves an unusually complete composition.
This relief of Mithras killing the bull, signed by a certain Χρῆστος, is on display in the Sala dei Animali of the Vatican Museum.
Fragment of a sandstone relief from Nida-Heddernheim depicting the torchbearer Cautopates.
This monument representing Cautes with uncrossed legs was consecrated by a certain Anttiocus.
