Consult all cross-database references at The New Mithraeum.
The Mithraeum I in Stockstadt contained images of Mithras but also of Mercury, Hercules, Diana and Epona, among others.
A set of painted Latin hymns and ritual acclamations survives on the walls of the Mithraeum of S. Prisca, accompanying scenes of leones and the sacred meal.
A fragmentary red sandstone relief preserves the upper part of three-headed Hekate holding a long object in her left hand.
The Rusicade Mithraeum is notable for the absence of a tauroctony relief, instead yielding multiple altars and unusual installations including conduit pipes and a pine-cone shaped stone.
White marble statue found near the Scala Santa in Rome depicting Mithras as bull-slayer, accompanied by the dog, serpent and scorpion, with the bull’s tail ending in ears of grain.
These twin inscriptions found in the Mithraeum of Tazoult were dedicated by the legate Marcus Valerius Maximianus.
A white marble relief from the Forum Vetus shows Mithras with a raised lance, likely part of a larger ensemble of deities.
This altar dedicated to Sol Invictus Mithras by a certain Septimius Zosimus was found in the Basilica of San Martino ai Monti in Rome.
The marble altar mentions Vettius Agrorius Praetextatus as Pater Sacrorum and Patrum and his wife Aconia Fabia Paulina.
Limestone altar from the Trier baths, carved on four sides with a lion and serpent, flanked by Sol and Luna, and likely linked to a Mithraic context involving Hekate.
Both of them were discovered in 1609 in the foundations of the façade of the church of San Pietro, Rome.
This monument depicts Mihr/Mithras watching over the transition of power from Shapur II to Ardashir II, which took place in 379.
The Hekataion of Sidon, which depicts Hekate in her trimorphic form surrounded by three dancing girls, is the only example found to date in connection with the Mithraic cult.
The site was destroyed in the 5th century but some elements, including the benches, can still been seen.
The votive fresco from the Mithraeum Barberini displays several scenes from Mithras’s myth.
The Mithraeum of Santa Prisca houses remarkable frescoes showing the initiates in procession.
Fragment of an alabaster relief from Cologne with part of a tauroctony scene. Only the tip of Mithras’ Phrygian cap and small narrative details above are preserved.
This marble relief, found in Sisak, Croatia, shows Mithras killing the bull in a circle of corn ears, gods and some scenes from the Mithras myth.
