The torchbearers are at work. Expect the occasional flicker while we tend the grotto.
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The altar of Ptuj depicts Mithras and Sol on the front and the water miracle on the right side.
The relief of Mithras slaying the bull at Mauls in Gallia cisalpina is a paradigmatic example of the so-called Rhine-type Tauroctony.
This plaque was found in Mithraeum I at Stockstadt broken into pieces inserted between the blocks of the socle of the cult relief, in the manner of a votive deposit.
A marble head in the Uffizi Gallery, long interpreted as a “dying Alexander,” but probably representing Mithras tauroctonos.
White marble relief depicting Mithras as bull-slayer in a grotto from the Froehner collection, now in the Cabinet des Médailles, Paris.
This tauroctony may have come from Hermopolis and its style suggests a Thraco-Danubian origin.
Sandstone relief of Mithras as bull-slayer, found at Petronell in 1932, with dog, serpent and scorpion, traces of polychromy preserved, now in the Museum Carnuntinum.
Fragmentary relief corner depicting Mithras as bull-slayer, preserving the bull’s hindquarters, scorpion, serpent and part of a torchbearer, with a partial inscription.
Conglomerate statue of the birth of Mithras, found in a burnt layer, showing the god nude emerging from the rock with raised hands and a snake.
Head, possibly of Mithras, wearing a Phrygian cap, found in the bed of the Millicri River, near Locri, Calabria.
This fragmentary relief depicts Mithras killing the bull in the usual manner, remarkably dressed in oriental attire.
This tauroctony relief is distinguished by the rare depiction of Tellus reclining beneath the bull.
The image of Mithras killing the bull, found near Walbrook, is surrounded by a Zoadiac circle.
Small marble head probably of Mithras tauroctonus from Leptis Magna, now Khoms.
Rich relief on display at the Virginia Museum of Fine Art showing Mithras sacrificing the bull accompanied by Cautes and Cautopates.
Saul cutting the oxen to pieces poses as Mithras Tauroctonos in this painting, which adorns the mantelpiece of Henry II’s bedroom at the Château d’Écouen near Paris.
New evidence for the cult of Mithras and the religious practices of Legio IV Scythica at the Roman frontier city of Zeugma on the Euphrates.
Bronze statuette of Mithras in his characteristic bull-slaying pose, though only the god has been preserved.
The Aion / Phanes relief, currently on display in the Gallerie Estensi, Moneda, is associated with two Eastern mysteric religions: Mithraism and Orphism.
The person who commanded the sculpture may have been M. Umbilius Criton, documented in the Mitreo della Planta Pedis.
