Your selection in monuments gave 202 results.
In this terracotta relief depicting Mithras as a bull killer found at Cales, now in Calvi Risorta, none of the usual accompanying animals is present.
Second terracotta tablet found at Calvi depicting Mithras killing the bull, now at Berlin, Antiquarium.
White marble statue of Mithras killing the sacred bull preserved in the Museo Nacional Romano.
Partial marble statue of Mithras as a bullkiller found near Viale Latino, about 200 meters from Porta San Giovanni.
White marble relief depicting Mithras killing the bull, found broken in two parts in 1872 near Salita delle Tre Pile in Rome.
Fragment of a white marble statue of Mithras killing the bull from Rusicade, today Skikda, Algeria.
This marble relief depicting Mithras as a bull-slayer was once owned by Major Holzhausen and Franz Cumont and is now housed at the Belgian Academy.
The mithraic relief of Konjic shows a Tauroctony in one side and a ritual meal in the other.
The votive fresco from the Mithraeum Barberini displays several scenes from Mithras’s myth.
This very fine relief of Mithras killing the bull was discovered in 2014 in Germán, near Sofia, Bulgaria, and is now housed in the Sofia History Museum.
The Mithraic relief from Baris, in present-day Turkey, shows what appears to be a proto-version of the Tauroctony, with a winged Mithras surrounded by two Victories.
The Mühltal Mithraic crater was discovered among the artefacts of a mithraeum found in Pfaffenhoffen am Inn, Bavaria.
These fragments of a monumental relief of Mithras killing the bull from Koenigshoffen were reassembled and are now on display at the Musée Archéologique de Strasbourg.
The relief of Mithras slaying the bull at Mauls in Gallia cisalpina is a paradigmatic example of the so-called Rhine-type Tauroctony.
Franz Cumont considers the bas relief of Osterburken ’the most remarkable of all the monuments of the cult of Mithras found up to now’.
This relief is so well-known that it has been reproduced in nearly every handbook of archaeology and of history of religions.
The importance of the Mithraeum of Marino lies in its frescoes, the most significant of which is that of Mithras slaying the bull, surrounded by mythological scenes.
The tauroctonic relief from Dragus includes a naked flying figure that Vermaseren has identified as Phosporus or Lucifer.
This relief of Mithras killing the bull includes various singular features specific to the Danubian area.
This remarkable marble statue of Mithras killing the bull from Apulum includes a unique dedication by its donor, featuring the rare term signum, seldom found in Mithraic contexts.
