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A certain Maximus from the Legio IV Scythica engraved his name in one of the columns of the Mithraeum of Dura Europos.
This enigmatic fresco on top of the main tauroctony shows Mithras killing the bull, accompanied by Cautes and Cautopates, surrounded by burning altars and cypress trees.
This painting depicts an Iranian knight holding in a chain a black naked figure with two heads.
In one of Hawarte’s frescoes, the rock birth of Mithras is preceded by Zeus and followed by the young Persian god suspended from a cypress tree.
Around the relief with Mithras as a bullkiller, a number of scenes from the Mithras Iegend have been painted in the Mithraeum of Dura Europos.
Around the niche of the Dura Europos Mithraeum fragments of a series of small paintings set in a semicircular band of panels were found.
The Mithraeum of Hauarte or Hawarte, which preserves colourful frescoes, it’s the latest know and used.
Greek graffiti scratched on wall plaster, recording a list of everyday expenses from Dura-Europos, Roman Syria.
The Mithraeum of Saara, Syria, has been identified through the deciphering of the remains of the iconographic programme on its arch.
This relief of Mithras as bull slayer is surrounded by Cautes and Cautopates with their usual torch plus an oval object.
According to F. Cumont, the Bedouins told a legend from which Nöldeke concluded that the castle of Quasr-ibn-Wardân was a fort with a mithraeum.
In this fresco from Dura Europos, Mithras is represented as a hunter accompanied by the lion and the serpent.
Sol watches Mithras as he gazes Mithras gazes up to heaven while sharing the sacred meal.
Fresco du Mithraeum de Hawarte, Syria, depicts Mithras' victory over the Sun.
Some scholars have speculated that the scrolls both figures hold in their hands represent Eastern doctrines brought to the Western world.
Antonius Valentinus, centurio, made this plaque for the salut des empereurs Septimus Severus and Marcus Aurelius.
