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In these passages from his hymns and satires, Julian articulates a solar theology in which Helios governs cosmic order and time. Within this framework, Mithras appears as a personal divine guide associated with the ascent of souls.
A series of polemical passages in which a leading fourth-century Christian theologian presents the cult of Mithras as a religion defined by cruelty, bodily suffering, and shameful initiation rites.
Emperor Julian may have been initiated into the cult of the god Mithras at the Mithraeum of Vienne, France, according to Turcan.
Mithras being born from the rock (petrogenia), acquired in Rome and formerly kept in Berlin.
The Mithraeum under the Basilica of San Clemente made part of a notable Roman house.
This tauroctony relief is distinguished by the rare depiction of Tellus reclining beneath the bull.
In polemical passages from the late second and early third centuries, Tertullian portrays the cult of Mithras as a demonic imitation of Christian rites and provides rare early references to Mithraic initiation and ritual symbolism.
An anonymous late-antique Christian poem, traditionally attributed to Pseudo-Paulinus of Nola (Poema 32, vv. 109–111), that ridicules pagan cults and presents Mithras, Isis, and Serapis as gods of concealment, contradiction, and unstable forms rather than light…
Mithras, also known as Mitra or Mithra depending on the historical period, region, or language, is one of the oldest known Indo-Iranian divinities.
Radcliffe G. Edmonds III analyses the absence of the moon in the Mithras Liturgy. He argues that this absence reflects a deliberate cosmological framework in which lunar powers linked to genesis are excluded from the ritual of ascent.
This collective volume explores the ways ancient peoples interacted with divine powers through prayer, magic, and the interpretation of the stars. Drawing on evidence from Mesopotamia to Late Antiquity, it situates these practices within broader religious and cosmological systems…
Fritz Saxl interprets Mithraism primarily through its images, proposing the cult as a visual cosmology structured around the descent, sacrifice and re-ascent of light, developed in close dialogue with Aby Warburg and Erwin Panofsky.
A Roman centurion investigates a ritual murder and a deadly new weapon, the Fire of Mithras, from the alleys of Lutetia to the battle of Argentoratum.
De oorspronkelijke Nederlandse uitgave van 1959 introduceerde het werk van Vermaseren, dat als klassiek geldt in de populaire studie van het mithraïsme en dat de belangstelling voor deze cultus blijvend heeft gevormd.
Jean Suttman’s study trip in Rome turns nightmarish when she discovers a murdered student in the Temple of Mithra and realizes someone is out to harm her.
Professor Wind's acclaimed work explores pagan mysticism and neoplatonic philosophy in Renaissance art, offering insightful analyses of masterpieces by Botticelli, Michelangelo, Raphael and Titian.
Robert Turcan présente les dévotions immigrées dans le monde romain, sans négliger les cultes marginaux ou sporadiques, traitant également des courants gnostiques, occultistes et théosophiques.
Employing all the available data & survivals of the historic Persio-Roman Mithraics. Embodying versions of Zoroastrian Scriptures; Combining the religions of all races & times...
Este es un libro que pretende esbozar un panorama general de los documentos mitraicos repartidos a lo largo del Imperio romano.
The present volume reconstructs the history of the mithraea of Güglingen. In addition, rich finds provide insight into hitherto unknown areas of the liturgical practice of the cult of Mithras.
