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This unusual mosaic representation of the god Silvanus was found in the Mithreaum of the so-called Imperial Palace in Ostia.
Representation of a person lying prostrate on the ground between two other walking figures on the Mitreo of Santa Capua Vetere.
This small monument bears the inscriptions of a certain Caelius Ermeros, antistes at the Mithraeum of the Painted Walls.
According to the inscription on it, this altar probably supported a statue of Jupiter.
This is one of several marble inscriptions made by a certain Caelius Ermeros, who was the antistes of the Mithraeum of the Imperial Palace.
This marble altar was found ’in the street called di Branco’, behind the palace of the Cardinal of Bologna, in Rome.
This head was found at the east end of temple of Mithras in London.
Its base is partially broken, so it is unclear if the figure was standing on a globe, an expected position, or not.
The relief of Mithras killing the bull from the Jajce Mithraeum is walled into the cult niche and surmounted by a roof.
This relief of Mithras as a bullkiller found at Vratnitsa, near Lisicici in northern Macedonia, was signed by a certain Menander Aphrodisieus.
This altar was dedicated by a certain Marcus Aurelius Decimus to Sol Mithras and other gods in Diana, Numibia, present Argelia.
This altar for the completion of a temple to Sol Invictus by Flavius Lucilianus was found in Fossa, Italy.
This white marble relief depicting a lion-headed figure from Ostia is now exposed at the Musei Vaticani.
Marble statue of Cautes, found at Ostia. The head, one arm and the legs are missing. The figure wears a short tunic and raises the torch in the canonical upward gesture.
Sandstone petrogenesis from Petronell-Carnuntum (Lower Austria), depicting Mithras emerging from the rock, preserved from the knees upwards.
Fragment of limestone from Porêts, which was used in the 4th century.
A naked Mithra emerges from the cosmic egg surrounded by the zodiac, as always carrying a torch and a dagger.
The epigrahy includes a mention of Marcus Aurelius, a priest of the god Sol Mithras, who bestowed joy and pleasure on his students.
The Mithraic fellow P. Aelius Urbanus mentions that he built the sacred area of the Mithraeum Circo Massimo.
This remarkable marble relief from the end of the 3rd century was discovered in the most remote room of the Mithraeum in the Circo Massimo.