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Marble group of Dionysus accompanied by a Silenus on a donkey, a satyr and a menead.
The Mithraeum of Inveresk, south of Musselburgh, East Lothian, is the first found in Scotland, and the earliest securely dated example from Britain.
The Mithraeum of Lucretius Menander was installed in the early 3rd century in an alley to the east of a Hadrianic building named after the solar god temple.
This marble gives some details of the reconstruction of the Virunum Mithraeum.
Intervention de Nicolas Amoroso, commissaire de l’exposition Le Mystère Mithra.
Mithras rock-born from Villa Giustiniani was holding a bunch of grapes in its raised right hand instead of a torch, probably due to a restoration.
Mithras became the main deity worshipped in the sanctuary of Meter in Kapikaya, Turkey, in Roman times, at least until the fourth century.
This marble slab found near the Casa de Diana in Ostia bears two inscription with several names of brothers of a same community
The dedicator of this marble basin could be the same person who offered the sculpture of Mithras slaying the bull in the Mitreo delle Terme di Mitra.
The sculpture of Mithras rock-birth from Santo Stefano Rotondo bears an inscription of Aurelius Bassinus, curator of the cult.
The inscription mentions the name of the donor, Yperanthes, of Persian origin.
This stele found at the foot of the Aventine bears an inscription of Kastos father and son, and mentions several syndexioi who shared the same temple.
The Venus pudica of Merida stands next to the young Amor riding a dolplhin.
The name of the Mithraeum of the Seven Gates refers to the doors depicted in the mosaic that decorates the floor, symbolising the seven planets through which the souls of the initiates have to pass.
The lion relief from Nemrut Dag has the moon and several stars over his body.
According to Christopher A. Faraone, the axe-head from Argos belong to a category of thunderstones reused as amulets.
The red ceramic vessel from Lanuvium shows Mithra carrying the bull, followed by the dog, and the Tauroctony on the opposite side.
This sculpture of Mithras slaying the bull was bequeathed to the Republic of Venice in 1793 by Ambassador Girolamo Zulian.
The Mitreo dei Marmi Colorati takes its name after the discovery of a black-and-white mosaic of Pan fighting with Eros.
Peter Mark Adams: ‘The initiation was a frightening experience that caused some people to panic as a flood of otherworldly entities swept through the ritual space.’
