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The sculptures of Cautes and Cautopates from the Mitreo del Palazzo Imperiale may have been reused from an older mithraeum in Ostia.
The Isis of Merida is covered by a long dress that reaches down to her feet.
This remarkable marble relief from the end of the 3rd century was discovered in the most remote room of the Mithraeum in the Circo Massimo.
This small bronze tabula ansata was dedicated to Mithras by two brothers, probably not related by blood.
This altar was dedicated by a son to his father, one of the few Patres Patrum recorded in the western provinces.
The dedicator of this altar was a slave in the service of a high official, the prefect Gaius Antonius Rufus, known from other inscriptions.
Antonius Valentinus, centurio, made this plaque for the salut des empereurs Septimus Severus and Marcus Aurelius.
The Mitreo Fagan revealed remarkable sculptures of leon-headed figures now exposed at the Vatican Museum.
The sculpture of Oceanus in Merida bears an inscription by the Pater Patrorum Gaius Accius Hedychrus.
The Mithraeum Felicissimus has a floor mosaic depicting the seven mithraic grades.
The Mithraeum in Halberg hill, near Saarbrücken, is one of the oldest historical places in the area.
This relief of Mithras slaying the bull incorporates the scene of the god carrying the bull and its birth from a rock.
The round relief of Mithras killing the bull of Split is surrounded by a circle with Sun, Moon, Saturn and some unusual animals.
The lack of attributes and its decontextualisation prevent us from attributing a specific Mithraic attribution to this small Venus pudica from Mérida.
The Aion-Chronos of Mérida was found near the bullring of the current city, once capital of the Roman province Hispania Ulterior.
This standing sculptural figure from Mérida appears to carry the serpent staff, characteristic of the medicine god Aesculapius.
This shrine developed towards the end of 2nd century and remained active until beginning 4th.
Roger Beck revisits the zodiac circle of the Mithraeum on the island of Ponza, a composition unique within the Mithraic corpus. His reading places the monument in relation to cosmology, ritual space, and Mithraic doctrine.
Votive sculpture of Mithras sacrificing the bull from the Mithraeum of Tarquinia.
