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The inscription reports the restoration of the coloured painting of the main relief of the Mithraeum by a veteran of the Legio VIII Augusta.
The relief of naked Roman soldier, wearing a mantle and a Phrygian cap, has been related to the Mithras' cult.
Les Bolards is a major Roman settlement and sanctuary complex near modern Nuits-Saint-Georges (Côte-d’Or, France), active from the early Imperial period, where several Mithraic monuments and inscriptions have been recovered.
A number of metal objects and weapons have been found in the Mithraeum of Les Bolards, close to Nuits-Saint-Georges in France.
Sarrebourg is a commune of northeastern France. In 1895 a Mithraeum was discovered at Sarrebourg at the mouth of the pass leading from the Vosges Mountains.
Argentoratum or Argentorate was the ancient name of Strasbourg. Its name was first mentioned in 12 BC, when it was a Roman military outpost established by Nero Claudius Drusus. The Legio VIII Augusta was stationed there from 90 AD.
The base of these sandstone reliefs bears an inscription referring to a certain Marcellius Marianus.
Vir clarissimus and governor of Numidia, who dedicated a temple to Mithras with its images and ornaments in Cirta.
Firmidius Severinus was a soldier who served in the Legio VIII Augusta for 26 years.
At Rome’s twilight, amid political upheaval and Christian ascendancy, Vettius Agorius Praetextatus embodied pagan intellect, virtue, and authority across senatorial, military, and mystical spheres.
The Mithraeum of Angers, excavated during a preventive operation and subsequently dismantled in 2010, yielded numerous objects, including coins, oil lamps, and a ceramic vessel bearing a votive inscription to the invincible god Mithras.
Emperor Julian may have been initiated into the cult of the god Mithras at the Mithraeum of Vienne, France, according to Turcan.
A Roman centurion investigates a ritual murder and a deadly new weapon, the Fire of Mithras, from the alleys of Lutetia to the battle of Argentoratum.
Genet aborde les thèmes qui lui sont chers, dans les règles de l’art mais en laissant affleurer un lyrisme bien tenu.
Robert Turcan présente les dévotions immigrées dans le monde romain, sans négliger les cultes marginaux ou sporadiques, traitant également des courants gnostiques, occultistes et théosophiques.