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The Mithraeum of Biesheim-Kunheim is located near the ancient village of Altkirch, near the Rhin.
This temple of Mithras has been discovered under the Church in Vieux-en-Val-Romey, in 1869.
One of the reliefs of the Dura Europos tauroctonies includes several characters with their respective names.
This head of Serapis from Cerro de San Albín may be unrelated to Mithras worship.
This enigmatic fresco on top of the main tauroctony shows Mithras killing the bull, accompanied by Cautes and Cautopates, surrounded by burning altars and cypress trees.
Several Mithraic scenes, including Mithras with Saturn, Mithras with Sol and Mithras' Ascension, are depicted on this fragment of a relief from Ptuj.
Second Mithraic monument dedicated by the Kastos family, found not far from the Arco di S. Lazzaro, in Rome.
This unusual representation of Mithras standing on a bull was kept in the Casino di Villa Altieri sul Monte Esquilino until the 19th century.
In the Mithraic bronze brooch found in Ostia, Cautes and Cautopates have been replaced by a nightingale and a cock.
Several fragmentary Mithraic remains dedicated by a certain Agatho in the Caelius suggest that a Mithraeum existed in the area.
According to the inscription on it, this altar probably supported a statue of Jupiter.
This is a reconstruction of the 2nd level initiation, the Nymphus or male bride.
The inscription reports the restoration of the coloured painting of the main relief of the Mithraeum by a veteran of the Legio VIII Augusta.
Chapter of In Search of Cyrus devoted to the origins of the Iranian god Mithra.
In 1938 this Mithraeum was found 3.45 mtrs under the Basilica of S. Lorenzo in Damaso, in a cellar near the Sacrament's Chapel.
This relief of Mithras slaying the bull was erected in Piazza del Campidoglio, moved to Villa Borghese and is now in the Louvre Museum.
The concluding book of Apuleius’ Golden Ass (or Metamorphoses), where Lucius, the story’s protagonist, undergoes initiation into the mysteries of Isis and Osiris.
The relief of Mithras killing the bull of Stefano Rotodon preserves part of his polycromy and depicts two unusual figures: Hesperus and an owl.