Your search Dura Europos gave 45 results.
Dura-Europos was a Hellenistic, Parthian and Roman frontier city built on the Euphrates River. It was founded around 300 BC by Seleucus I Nicator. The Romans took Dura-Europos in 165 AD.
Three plaster altars within the main altar of the Mithraeum of Dura Europos, two of them with traces of fire and cinders.
One of the reliefs of the Dura Europos tauroctonies includes several characters with their respective names.
This inscription by a certain Ioulianos, found at the entrance to the Dolichenum at Dura Europos, bears an inscription to Zeus Helios Mithras et Tourmasgade.
A certain Maximus from the Legio IV Scythica engraved his name in one of the columns of the Mithraeum of Dura Europos.
The main relief of Mithras killing the bull from the Mithraeum of Dura Europos includes three persons named Zenobius, Jariboles and Barnaadath.
Around the relief with Mithras as a bullkiller, a number of scenes from the Mithras Iegend have been painted in the Mithraeum of Dura Europos.
Around the niche of the Dura Europos Mithraeum fragments of a series of small paintings set in a semicircular band of panels were found.
In this fresco from Dura Europos, Mithras is represented as a hunter accompanied by the lion and the serpent.
The most emblematic of the Syrian Mithraea was discovered in 1933 by a team led by the Russian historian Mikhaïl Rostovtzeff.
'Hail to Kamerios the Pater' can be read on one of the walls of the mithraeum at Dura Europos.
The inscription pays homage to the emperor, probably Caracalla, to Mithras, the fathers, the petitor and the syndexioi.
Greek graffiti scratched on wall plaster, recording a list of everyday expenses from Dura-Europos, Roman Syria.
The text mentions a certain Kamerios, described as immaculate miles.
This short dipinto pays homage to the Lions and the Persians, the 4th and 5th Mithraic degrees.
Sol watches Mithras as he gazes Mithras gazes up to heaven while sharing the sacred meal.
Some scholars have speculated that the scrolls both figures hold in their hands represent Eastern doctrines brought to the Western world.
Greek ritual graffito scratched on wall plaster in the Mithraeum of Dura-Europos, mentioning the “fiery exhalation” and the “sacred nitre” of the Magi.
