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Franz Cumont considers the bas relief of Osterburken ’the most remarkable of all the monuments of the cult of Mithras found up to now’.
This relief is so well-known that it has been reproduced in nearly every handbook of archaeology and of history of religions.
The importance of the Mithraeum of Marino lies in its frescoes, the most significant of which is that of Mithras slaying the bull, surrounded by mythological scenes.
The tauroctonic relief from Dragus includes a naked flying figure that Vermaseren has identified as Phosporus or Lucifer.
Tracing the links between the cult of Mithras and the Proud Boys’ quest for identity, power, and belonging. How ancient rituals and brotherhood ideals resurface in radical modern movements.
The relief of Palazzo Colonna, Rome, depicts a lion-headed figure holding a burning torch in his outstretched hands.
What appears to be a representation of Mithras killing the bull appears in the 12th century frescoes of the Basilica dei Santi Quattro Coronati in Rome.
Ernest Renan suggested that without the rise of Christianity, we might all have embraced the cult of Mithras. Nevertheless, it has had a lasting influence on secret societies, religious movements and popular culture.
Translation and Introductory Essay by Robert Lamberton. Station Hill Press Barrytown, New York 1983.
Preamble and notes published by G. R. S. Mead in his series Echoes from the Gnosis 1907, London and Benares. Translation of the manuscript by Dieterich Eine Mithrasliturgie 1903, Leipzig.
The Mithraeum of Ponza was discovered in 1866. It contained the remains of a zodiac investigated by Vermaseren in 1989.
Solis invicti Mithrae studiosus astrologiae who was at the same time ’caelo devotus et astris’.
Altar in limestone from the Jura, found "bei Verbreiterung der Moselbahn unweit der Uberflihrung des Weberbaches" near the Therms (1879).
This unusual mural depicting Mithras killing the bull was found near the Colosseum in 1668.
The Mithraeum of the House of Diana was installed in two Antonine halls, northeast corner of the House of Diana, in the late 2nd or early 3rd century.
This statuette was bought by A. Wiedemann in Luxor in 1882 from a man from Kus.
The remains of the mithraic triptic of Tróia, Lusitania, were part of a bigger composition.
Set in a Roman necropolis, the so-called Mithraeum of the Elephant takes its name from an elephant statue found in one of the tombs.
Chapter of In Search of Cyrus devoted to the origins of the Iranian god Mithra.
The concluding book of Apuleius’ Golden Ass (or Metamorphoses), where Lucius, the story’s protagonist, undergoes initiation into the mysteries of Isis and Osiris.
