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The Mithraeum of Visentium, near Capodimonte in Viterbo, was carved grotto-style into a tuff cliff overlooking the waters of Lake Bolsena, just a few dozen metres away.
The Mithraeum was inserted into the basement of the basilica-theater by the 3rd century.
This monumental head of Antionchus I of Commagene is in Nemrut Dağı together with other representations of the Greco-Iranian king.
The Mithraic relief from Baris, in present-day Turkey, shows what appears to be a proto-version of the Tauroctony, with a winged Mithras surrounded by two Victories.
This relief is so well-known that it has been reproduced in nearly every handbook of archaeology and of history of religions.
This remarkable double-sided relief depicts the myth of Mithras and the Tauroctony on one side, and a scene of Mithras the hunter and the banquet of Mithras and the Sol on the other.
The Mithraeum of Santa Maria Capua Vetere preserves frescoes depicting several scenes of the initiation rites.
Porphyry states that the Mithraists “perfect their initiate by inducting him into a mystery of the descent of souls and their exit back out again, calling the place a ‘cave’.”.
This is the first known inscription that includes Phanes alongside Mithras found in a Mithraic context.
The remains of the Mithraeum of Aosta, also known as the Mitreo di Augusta Praetoria, were discovered in 1953 in insula 59, in a commercial district of the ancient city.
The small Mithraic altar found at Cerro de San Albin, Merida, bears an inscription to the health of a certain Caius Iulius.
This altar to Mithras found in Aquilieia mentions several persons of a same community.
The Cautopates of Bordeaux stands as usual with his legs crossed and arms down.
We are delighted to announce that the dates for MithraCon 2025 have been set for the last weekend in April, from Friday 25th to Sunday 27th. Mithracon is an informal research convention for people interested in the study of the god Mithras…
Small white marble altar made in honour of Mithras found at San Albín, Mérida.
This eulogy of Saint Eugene of Trapezos tells how, in the time of Diocletian, he and two other Christian fellows destroyed a statue of Mithras.
