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The Mithraeum of Els Munts, near Tarragona, is one of the largest known to date.
The relief of Mithras killing the bull, found near Zvornik in Bosnia and Herzegovina, features some variations on the usual scene.
Laurent Bricault has revolutionised Mithraic studies with the exhibition The Mystery of Mithras. Meet this professor in Toulouse for a fascinating look at the latest discoveries and what lies ahead.
This altar, discovered in Grude, near Tihaljina, Bosnia and Herzegovina, bears an inscription by Pinnes, a soldier of the Cohors Prima Belgica.
This relief of Mithras killing the bull in a vaulted grotto lacks the usual scorpion pinching the bull's testicles.
The remains of the mithraic triptic of Tróia, Lusitania, were part of a bigger composition.
This unusual mosaic representation of the god Silvanus was found in the Mithreaum of the so-called Imperial Palace in Ostia.
This medallion belongs to a specific category of rounded pieces found in other provinces of the Roman world.
The inscription included the names of the brotherhood, which are now lost.
The lion-headed figure, Aion, from Mérida, wears oriental knickers fastened at the waist by a cinch strap.
The Digital Atlas of Roman Sanctuaries in the Danubian Provinces (DAS) is the first comprehensive and open access representation of sacralised spaces in the area.
This altar, which has now disappeared, was dedicated by the slave Quintio for the health of a certain Coutius Lupus.
Mithras and Sol share a sacred meal accompanied by Cautes and Cautopates on a relief found in a cemetery from Croatia.
The sculpture of Oceanus in Merida bears an inscription by the Pater Patrorum Gaius Accius Hedychrus.
The cantharus of Trier is reminiscent of the crater that often appears in tauroctony scenes collecting the blood from the slaughtered animal.
Between the 1st and 4th centuries, Mithraism developed throughout the Roman world. Much material exists, but textual evidence is scarce. The only ancient work that fills this gap is Porphyry’s intense and complex essay.
Sandstone base carved on two sides, with a head of Medusa framed by acanthus leaves and a reclining lion holding a head between its forelegs.
Limestone tauroctony relief from Carnuntum with traces of polychromy and a graffito on the bull’s neck. The inscribed base was carved separately.
Fragment of an alabaster relief from Cologne with part of a tauroctony scene. Only the tip of Mithras’ Phrygian cap and small narrative details above are preserved.
