Your search Jean-Baptiste Félix Lajard gave 100 results.
Tercera entrega de la trilogía de Jaime Alvar dedicada al estudio de los cultos a dioses procedentes de Oriente en la Península Ibérica.
Genet aborde les thèmes qui lui sont chers, dans les règles de l’art mais en laissant affleurer un lyrisme bien tenu.
The lion-headed figure from Rusicade, now Skikda, holds a key in both hands and features a pine cone beside his feet.
White marble statue of Lion-head god of time, formerly in the Villa Albani, nowadays in the Musei Vaticani.
This sculpture of Mithras killing the bull was dedicated to the ’incomprehensible god’ by a certain priest called Gaius Valerius Heracles.
This sculpture of Mithras being born from a rock is unique in the position of the hands, one on his head, the other on the rock.
The relief of Mithras slaying the bull at Mauls in Gallia cisalpina is a paradigmatic example of the so-called Rhine-type Tauroctony.
This relief of Mithras killing the bull includes various singular features specific to the Danubian area.
Tracing the links between the cult of Mithras and the Proud Boys’ quest for identity, power, and belonging. How ancient rituals and brotherhood ideals resurface in radical modern movements.
This remarkable Greek marble relief of Mithras killing the bull was discovered in 1705 and remained in private collections until it was bought by the Louvre.
The relief of Palazzo Colonna, Rome, depicts a lion-headed figure holding a burning torch in his outstretched hands.
This white marble relief of Mithras killing the bull was found on the Esquilino near the Church of Saint Lucy in Selci in Rome.
In this relief of Mithras as bull slayer, recorded in 1562 in the collection of A. Magarozzi, Cautes and Cautopates have been replaced by trees still bearing the torches.
This white marble relief depicting a lion-headed figure from Ostia is now exposed at the Musei Vaticani.
There is no consensus on the authenticity of this monument erected by a certain Secundinus in Lugdunum, Gallia.
The Tauroctony found in Velletri, Rome, bears an inscription from its owner and donor.
